William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana 7
... soliloquy, this 'heap of absurdities'. Unfortunately his method consists in postulating the need for total logical consistency while refusing to consider the unity of emotion or feeling created by Shakespeare. It is easy to cast parts ...
... soliloquy, this 'heap of absurdities'. Unfortunately his method consists in postulating the need for total logical consistency while refusing to consider the unity of emotion or feeling created by Shakespeare. It is easy to cast parts ...
Strana 10
... soliloquy arousing herself to the murder of Duncan that he twice describes it as 'not natural', and concludes with the hope that 'there is no such wretch to be found as is here represented'. That is, Shakespeare must be wrong: people of ...
... soliloquy arousing herself to the murder of Duncan that he twice describes it as 'not natural', and concludes with the hope that 'there is no such wretch to be found as is here represented'. That is, Shakespeare must be wrong: people of ...
Strana 27
... soliloquy as Macbeth, 'Nothing could possibly be greater than Macbeth's seeing the daggers in the air', while in King Lear Garrick was 'inimitable', 'never greater', 'almost inconceivable', 'amazingly great', 'very great', 'extremely ...
... soliloquy as Macbeth, 'Nothing could possibly be greater than Macbeth's seeing the daggers in the air', while in King Lear Garrick was 'inimitable', 'never greater', 'almost inconceivable', 'amazingly great', 'very great', 'extremely ...
Strana 36
... soliloquies as models of the spontaneous expression of emotion. He also (like Hurd) praised Shakespeare for avoiding generalities and abstractions ('every article in descriptions is particular'), but when he got down to a detailed ...
... soliloquies as models of the spontaneous expression of emotion. He also (like Hurd) praised Shakespeare for avoiding generalities and abstractions ('every article in descriptions is particular'), but when he got down to a detailed ...
Strana 37
... soliloquies of Richard III 'are mostly Situations of dark, cool, and deliberate Wickedness, and should be uttered with deep and grave Tones of Voice, and a gloomy Countenance'. The peculiar feature of Richard's humour is that his ...
... soliloquies of Richard III 'are mostly Situations of dark, cool, and deliberate Wickedness, and should be uttered with deep and grave Tones of Voice, and a gloomy Countenance'. The peculiar feature of Richard's humour is that his ...
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William Shakespeare: The Critical Heritage, Svazek 4 Brian Vickers Náhled není k dispozici. - 1995 |
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