William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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... stage performance. Yet the aesthetic ideas of the period determined that his plays should be changed to conform to current concepts of dramatic structure or style. These aesthetic ideas are also evident in the scholarly discussion of ...
... stage performance. Yet the aesthetic ideas of the period determined that his plays should be changed to conform to current concepts of dramatic structure or style. These aesthetic ideas are also evident in the scholarly discussion of ...
Strana 10
... stage'.13 Kames is so horrified by Lady Macbeth's soliloquy arousing herself to the murder of Duncan that he twice describes it as 'not natural', and concludes with the hope that 'there is no such wretch to be found as is here ...
... stage'.13 Kames is so horrified by Lady Macbeth's soliloquy arousing herself to the murder of Duncan that he twice describes it as 'not natural', and concludes with the hope that 'there is no such wretch to be found as is here ...
Strana 22
... and Perdita on 21 January 1756, which held the stage until 1886 (Odell, op cit., I, 362). I have selected one example from each category of Garrick's adaptations in this period (spectacle, music, and after-piece) to show 22 INTRODUCTION.
... and Perdita on 21 January 1756, which held the stage until 1886 (Odell, op cit., I, 362). I have selected one example from each category of Garrick's adaptations in this period (spectacle, music, and after-piece) to show 22 INTRODUCTION.
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... stage' with its consequence, that he is 'sacrilegiously frittered and befribbled' (No. 166). Goldsmith's pessimistic survey of the stage in 1759 is clearly directed at Garrick and the cult of the actor, 'who thinks it safest acting in ...
... stage' with its consequence, that he is 'sacrilegiously frittered and befribbled' (No. 166). Goldsmith's pessimistic survey of the stage in 1759 is clearly directed at Garrick and the cult of the actor, 'who thinks it safest acting in ...
Strana 25
... Stage, 1747–1776, I, pp. clxii ff.) for the period 1747 to 1776 show that Shakespeare was by far the most popular dramatist at both theatres. Of the 5,363 performances at Drury Lane 1,065 (approximately 20 per cent of the total) were of ...
... Stage, 1747–1776, I, pp. clxii ff.) for the period 1747 to 1776 show that Shakespeare was by far the most popular dramatist at both theatres. Of the 5,363 performances at Drury Lane 1,065 (approximately 20 per cent of the total) were of ...
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William Shakespeare: The Critical Heritage, Svazek 4 Brian Vickers Náhled není k dispozici. - 1995 |
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