The Method and Practice of Exposition: A Text-book for Advanced Students in Colleges and UniversitiesMacmillan, 1917 - Počet stran: 278 |
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The Method and Practice of Exposition: A Text-Book for Advanced Students in ... Thomas E. Rankin Náhled není k dispozici. - 2015 |
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Abdera American analysis artist beauty Bernard Bosanquet chapter character chivalry clear colour composition conception concrete convey criticism defined definition diction discourse earth effect elements of style emotion English essay example experience exposition expository expression fact feeling fireflies function Gilbert and Sullivan give human Huxley idea illustrate imagination impressions indirect method individual interesting interpretation JOHN RUSKIN kind language less literature logical matter Matthew Arnold Maurice Hewlett means mediæval ment mind nation native American nature ness observation opéra bouffe operetta oratory Othello outline painting perfect picture play poem poetry politics possible practical predicate present principles prose reader relation Ruskin scientific sense sentence sort spirit statement story student style subject-matter things Thomas Henry Huxley thought tion true truth universal Walter Pater whole words worms writing
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Strana 189 - quickened, multiplied consciousness. Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake, has most. For art comes to you, proposing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments
Strana 47 - Even such is time, that takes on trust Our youth, our joys, our all we have, And pays us back with age and dust; Who, in the dark and silent grave, When we have wandered all our ways, Shuts up the story of our days.
Strana 37 - age,— That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. It
Strana 54 - vapour, and is not; but this I saw and knew: this, if anything of mine, is worth your memory." That is his " writing " ; it is, in his small human way, and with whatever degree of true inspiration is in him, his inscription, or scripture. That is a " Book.
Strana 102 - Speak, that I may see thee. It springs out of the most retired and inmost parts of us, and is the image of the parent of it, the mind. No glass renders a man's form or likeness as true as his speech.
Strana 4 - out of their memories. What you think necessary for them to do, settle in them by an indispensable practice as often as the occasion returns; and, if it be possible, make occasions. This will beget habits in them which, being once established, operate of themselves easily and naturally without the assistance of memory.
Strana 47 - with age and dust; Who, in the dark and silent grave, When we have wandered all our ways, Shuts up the story of our days. SIR WALTER
Strana 186 - reflection begins to play upon those objects they are dissipated under its influence; the cohesive force seems suspended like some trick of magic ; each object is loosed into a group of impressions — colour, odour, texture — in the mind of the observer. And if we continue to dwell in thought on this world, not of
Strana 88 - Given the conditions I have tried to explain as constituting good art ; — then, if it be devoted further to the increase of men's happiness, to the redemption of the oppressed, or the enlargement of our sympathies with each other, or to such presentment of
Strana 172 - have come to believe that he, motionless as he is, does yet live in reality a deeper, more human, and more universal life than the lover who strangles his mistress, the captain who conquers in battle, or the husband who avenges his honour.