Volpone; Or, The FoxDigiCat, 15. 9. 2022 - Počet stran: 129 Ben Jonson's 'Volpone; Or, The Fox' stands as a significant exemplar of early 17th-century satirical comedy, allowing a glimpse into the intricacies of Jacobean society with its biting wit and unflinching examination of greed and corruption. Written in Jonson's characteristically robust and energetic verse, this play wields a nuanced mastery of satire and a deep understanding of the classical influences that shade its narrative. Set in Venice, which in itself is a literary commentary on English society, the work employs animal symbolism and the commedia dell'arte tradition to underscore its darkly comedic portrayal of human vices, aligning it with the morality plays of its time while carving its unique niche in the dramaturgical landscape. In his pursuit of wealth, the eponymous Volpone represents a nexus of ancient and contemporary, serving to both entertain and edify its audience in a blend of amusement and moral discourse. As a central figure in English Renaissance drama, Ben Jonson's scholarly pursuits and manifold experiences imbue 'Volpone; Or, The Fox' with a density of cultural and social critique. His own life—a tapestry of the ordinary and extraordinary—mirrors elements within his plays; his deep knowledge of classical texts and personal travails within the volatile world of London theatre inform his creation. Jonson's work often reflects his belief in the necessity of literary integrity and moral responsibility, a belief that emerges clearly in this sophisticated satire that grapples with timeless issues such as avarice and hypocrisy, making 'Volpone' a preeminent product of its creator's convictions and experiences. I commend 'Volpone; Or, The Fox' to readers who appreciate the interplay of humor and morality in literature. Jonson's play offers a rich experience to those keen on English Renaissance theatre, and to students of dramatic arts seeking a profound understanding of the socio-historical context within which this enduring masterpiece was crafted. The text is a testament to the lasting relevance of classical literary forms, and its exploration of themes related to human vice and virtue guarantee its significance beyond the temporal bounds of its original audience. Engaging, provocative, and intellectually satisfying, 'Volpone; Or, The Fox' remains a crowning achievement in the canon of English drama. |
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... comedy in the folio of Jonson's works, 1616. But it is a mistake to infer, because Shakespeare's name stands first in the list of actors and the elder Kno'well first in the dramatis personae, that Shakespeare took that particular part ...
... comedy in the folio of Jonson's works, 1616. But it is a mistake to infer, because Shakespeare's name stands first in the list of actors and the elder Kno'well first in the dramatis personae, that Shakespeare took that particular part ...
Strana
... comedy is in its personages and in the theory upon which they are conceived. Ben Jonson had theories about poetry and the drama, and he was neither chary in talking of them nor in experimenting with them in his plays. This makes Jonson ...
... comedy is in its personages and in the theory upon which they are conceived. Ben Jonson had theories about poetry and the drama, and he was neither chary in talking of them nor in experimenting with them in his plays. This makes Jonson ...
Strana
... comedy (nor in any other play that he wrote), a supine classicist, urging that English drama return to a slavish adherence to classical conditions. He says as to the laws of the old comedy (meaning by "laws," such matters as the unities ...
... comedy (nor in any other play that he wrote), a supine classicist, urging that English drama return to a slavish adherence to classical conditions. He says as to the laws of the old comedy (meaning by "laws," such matters as the unities ...
Strana
... comedy—there had been nothing like Jonson's comedy since the days of Aristophanes. "Every Man in His Humour," like the two plays that follow it, contains two kinds of attack, the critical or generally satiric, levelled at abuses and ...
... comedy—there had been nothing like Jonson's comedy since the days of Aristophanes. "Every Man in His Humour," like the two plays that follow it, contains two kinds of attack, the critical or generally satiric, levelled at abuses and ...
Strana
... comedy is Captain Tucca. "His peculiarity" has been well described by Ward as "a buoyant blackguardism which recovers itself instantaneously from the most complete exposure, and a picturesqueness of speech like that of a walking ...
... comedy is Captain Tucca. "His peculiarity" has been well described by Ward as "a buoyant blackguardism which recovers itself instantaneously from the most complete exposure, and a picturesqueness of speech like that of a walking ...
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Alchemist ANDROGYNO AVOC Bartholomew Fair Ben Jonson BONARIO CASTRONE CELIA cheat chequines coin colour comedy CORB CORBACCIO CORV COUCH court Cynthia's Revels dead devil doth drama ears Eastward Hoe ENTER MOSCA ENTER VOLPONE entertainment EXEUNT EXIT eyes face faith fatherhoods fear fellow fool gentleman Gifford give gold GORCROW grave fathers hast hath hear heaven heir hence Henslowe honour honour'd fathers hope horse humour J. A. Symonds Jonson knave knight KNOCKING LEIGER live look madam Magnetic Lady Marston masques mean NANO never parasite patron person play plot poet Poetaster possess pray satire Satiromastix SCENE Scoto Sejanus Shakespeare shew Signior Corvino Silent Woman sir Pol speak spirit strange Table of Contents term thee thing thou thought Tis true tricks twill unto Venice VOLP VOLT VOLTORE Whalley wife woman worth