Volpone; Or, The FoxDigiCat, 15. 9. 2022 - Počet stran: 129 Ben Jonson's 'Volpone; Or, The Fox' stands as a significant exemplar of early 17th-century satirical comedy, allowing a glimpse into the intricacies of Jacobean society with its biting wit and unflinching examination of greed and corruption. Written in Jonson's characteristically robust and energetic verse, this play wields a nuanced mastery of satire and a deep understanding of the classical influences that shade its narrative. Set in Venice, which in itself is a literary commentary on English society, the work employs animal symbolism and the commedia dell'arte tradition to underscore its darkly comedic portrayal of human vices, aligning it with the morality plays of its time while carving its unique niche in the dramaturgical landscape. In his pursuit of wealth, the eponymous Volpone represents a nexus of ancient and contemporary, serving to both entertain and edify its audience in a blend of amusement and moral discourse. As a central figure in English Renaissance drama, Ben Jonson's scholarly pursuits and manifold experiences imbue 'Volpone; Or, The Fox' with a density of cultural and social critique. His own life—a tapestry of the ordinary and extraordinary—mirrors elements within his plays; his deep knowledge of classical texts and personal travails within the volatile world of London theatre inform his creation. Jonson's work often reflects his belief in the necessity of literary integrity and moral responsibility, a belief that emerges clearly in this sophisticated satire that grapples with timeless issues such as avarice and hypocrisy, making 'Volpone' a preeminent product of its creator's convictions and experiences. I commend 'Volpone; Or, The Fox' to readers who appreciate the interplay of humor and morality in literature. Jonson's play offers a rich experience to those keen on English Renaissance theatre, and to students of dramatic arts seeking a profound understanding of the socio-historical context within which this enduring masterpiece was crafted. The text is a testament to the lasting relevance of classical literary forms, and its exploration of themes related to human vice and virtue guarantee its significance beyond the temporal bounds of its original audience. Engaging, provocative, and intellectually satisfying, 'Volpone; Or, The Fox' remains a crowning achievement in the canon of English drama. |
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... fair to Jonson to remark however, that his adversary appears to have been a notorious fire-eater who had shortly before killed one Feeke in a similar squabble. Duelling was a frequent occurrence of the time among gentlemen and the ...
... fair to Jonson to remark however, that his adversary appears to have been a notorious fire-eater who had shortly before killed one Feeke in a similar squabble. Duelling was a frequent occurrence of the time among gentlemen and the ...
Strana
... Fair," 1614, represent Jonson at his height, and for constructive cleverness, character successfully conceived in the manner of caricature, wit and brilliancy of dialogue, they stand alone in English drama. "Volpone, or the Fox," is, in ...
... Fair," 1614, represent Jonson at his height, and for constructive cleverness, character successfully conceived in the manner of caricature, wit and brilliancy of dialogue, they stand alone in English drama. "Volpone, or the Fox," is, in ...
Strana
... Fair," less clear cut, less definite, and less structurally worthy of praise than its three predecessors, but full of the keenest and cleverest of satire and inventive to a degree beyond any English comedy save some other of Jonson's ...
... Fair," less clear cut, less definite, and less structurally worthy of praise than its three predecessors, but full of the keenest and cleverest of satire and inventive to a degree beyond any English comedy save some other of Jonson's ...
Strana
... Fair," and "The Devil is an Ass," which was written too late. It included likewise a book of some hundred and thirty odd "Epigrams," in which form of brief and pungent writing Jonson was an acknowledged master; "The Forest," a smaller ...
... Fair," and "The Devil is an Ass," which was written too late. It included likewise a book of some hundred and thirty odd "Epigrams," in which form of brief and pungent writing Jonson was an acknowledged master; "The Forest," a smaller ...
Strana
... fair large Italian lettering, the name, Ben Jonson. With respect to Jonson's use of his material, Dryden said memorably of him: "[He] was not only a professed imitator of Horace, but a learned plagiary of all the others; you track him ...
... fair large Italian lettering, the name, Ben Jonson. With respect to Jonson's use of his material, Dryden said memorably of him: "[He] was not only a professed imitator of Horace, but a learned plagiary of all the others; you track him ...
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Alchemist ANDROGYNO AVOC Bartholomew Fair Ben Jonson BONARIO CASTRONE CELIA cheat chequines coin colour comedy CORB CORBACCIO CORV COUCH court Cynthia's Revels dead devil doth drama ears Eastward Hoe ENTER MOSCA ENTER VOLPONE entertainment EXEUNT EXIT eyes face faith fatherhoods fear fellow fool gentleman Gifford give gold GORCROW grave fathers hast hath hear heaven heir hence Henslowe honour honour'd fathers hope horse humour J. A. Symonds Jonson knave knight KNOCKING LEIGER live look madam Magnetic Lady Marston masques mean NANO never parasite patron person play plot poet Poetaster possess pray satire Satiromastix SCENE Scoto Sejanus Shakespeare shew Signior Corvino Silent Woman sir Pol speak spirit strange Table of Contents term thee thing thou thought Tis true tricks twill unto Venice VOLP VOLT VOLTORE Whalley wife woman worth