The New Criterion, Svazek 3,Vydání 6–10Foundation for Cultural Review, 1985 |
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Strana 24
... past in the face of the present , for many American artists painterly is a way of confirming the usableness of the past through dashing , brushy evocations of old styles . This attitude informs the work of a painterly abstraction- ist ...
... past in the face of the present , for many American artists painterly is a way of confirming the usableness of the past through dashing , brushy evocations of old styles . This attitude informs the work of a painterly abstraction- ist ...
Strana 3
... past . There is even something apt in the choice of Gogol as the author he illustrated at this important juncture in his life , for not only does Chagall at that moment take leave of the present in order to find refuge in the past but ...
... past . There is even something apt in the choice of Gogol as the author he illustrated at this important juncture in his life , for not only does Chagall at that moment take leave of the present in order to find refuge in the past but ...
Strana 29
... past at the same time that they believed in the relevance of the past to modern life and thought . They sought to appropriate tradition for use in contempo- rary culture and society . Whether this belief in the identity of the past and ...
... past at the same time that they believed in the relevance of the past to modern life and thought . They sought to appropriate tradition for use in contempo- rary culture and society . Whether this belief in the identity of the past and ...
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