The New Criterion, Svazek 3,Vydání 6–10Foundation for Cultural Review, 1985 |
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Strana 65
... style ballet than at classi- cal , whether it is the Jazz Age neo - romanti- cism of Nijinska's Les Biches or the neo- expressionism of Tetley's Voluntaries , for the simple reason that the classical style requires a level of technical ...
... style ballet than at classi- cal , whether it is the Jazz Age neo - romanti- cism of Nijinska's Les Biches or the neo- expressionism of Tetley's Voluntaries , for the simple reason that the classical style requires a level of technical ...
Strana 55
... style - any kind of style . There was ( Fiorenza Cossotto aside ) no palpable Italian style in evidence , either in the singing or in the musical direc- tion , unless by Italian is meant an atmo- sphere of square harmonies and cheap mel ...
... style - any kind of style . There was ( Fiorenza Cossotto aside ) no palpable Italian style in evidence , either in the singing or in the musical direc- tion , unless by Italian is meant an atmo- sphere of square harmonies and cheap mel ...
Strana 42
... style of poetry in the postwar period , how- ever . If there was such a thing as a common style in the poetry of those years , it was based on the work of W. H. Auden . Flawless as a practitioner of traditional English verse , Auden had ...
... style of poetry in the postwar period , how- ever . If there was such a thing as a common style in the poetry of those years , it was based on the work of W. H. Auden . Flawless as a practitioner of traditional English verse , Auden had ...
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