The New Criterion, Svazek 3,Vydání 6–10Foundation for Cultural Review, 1985 |
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Výsledky 1-3 z 63
Strana 59
... turned out so much darker than his father . Gone was the element of mystery and am- biguity . Gone , too , was the element of " whatever happened . " You knew damn well what was supposed to have happened with the lower half of that ...
... turned out so much darker than his father . Gone was the element of mystery and am- biguity . Gone , too , was the element of " whatever happened . " You knew damn well what was supposed to have happened with the lower half of that ...
Strana 82
... turned his back on the audience and uttered three brief sobs , leav- ing the audience somewhat taken aback . He turned to face us again , explaining that now he was going to burn the cedar wood . This he proceeded to do - only he had a ...
... turned his back on the audience and uttered three brief sobs , leav- ing the audience somewhat taken aback . He turned to face us again , explaining that now he was going to burn the cedar wood . This he proceeded to do - only he had a ...
Strana 65
... turned into a chalice , pagan carvings in semi - precious stone turned to Catholic use . Particularly tasty was a rock - crystal grotto , said to be from the fourth or fifth century ; it is turned upside down , mounted on a ninth- or ...
... turned into a chalice , pagan carvings in semi - precious stone turned to Catholic use . Particularly tasty was a rock - crystal grotto , said to be from the fourth or fifth century ; it is turned upside down , mounted on a ninth- or ...
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abstract abstract art achieve aesthetic Allen Ginsberg American architecture artist audience avant-garde Beckett Bernstein Bogan Bruce Bawer called Caravaggio catalogue century Chagall character color comedy course Criterion critics Cubist culture DeLillo Dufy early Eliot Empson essay Evelyn Waugh exhibition fact feel fiction figure Gallery Ginsberg Heidegger Heidegger's Hilton Kramer human idea intellectual interest Jackson Jacques Kandinsky kind Kramer literary lives look Marxist Matisse matter means ment mind modern modernist moral Motherwell Motherwell's Museum naïve art nature never novel opera orchestra painters painting Paris performance perhaps picture play poems poet poetry political production published radical recent Robert Robert Richman Rousseau Samuel Lipman Sartre scene Schopenhauer seems sense social story Street Strindberg style T. S. Eliot theater thing thought tion Tom and Viv tradition ture wanted words writing wrote York young