The Resistance to Poetry
University of Chicago Press, 7. 8. 2009 - Počet stran: 144
Poems inspire our trust, argues James Longenbach in this bracing work, because they don't necessarily ask to be trusted. Theirs is the language of self-questioning—metaphors that turn against themselves, syntax that moves one way because it threatens to move another. Poems resist themselves more strenuously than they are resisted by the cultures receiving them.
But the resistance to poetry is quite specifically the wonder of poetry. Considering a wide array of poets, from Virgil and Milton to Dickinson and Glück, Longenbach suggests that poems convey knowledge only inasmuch as they refuse to be vehicles for the efficient transmission of knowledge. In fact, this self-resistance is the source of the reader's pleasure: we read poetry not to escape difficulty but to embrace it.
An astute writer and critic of poems, Longenbach makes his case through a sustained engagement with the language of poetry. Each chapter brings a fresh perspective to a crucial aspect of poetry (line, syntax, figurative language, voice, disjunction) and shows that the power of poetry depends less on meaning than on the way in which it means—on the temporal process we negotiate in the act of reading or writing a poem. Readers and writers who embrace that process, Longenbach asserts, inevitably recoil from the exaggeration of the cultural power of poetry in full awareness that to inflate a poem's claim on our attention is to weaken it.
A graceful and skilled study, The Resistance to Poetry honors poetry by allowing it to be what it is. This book arrives at a critical moment—at a time when many people are trying to mold and market poetry into something it is not.
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It is axiomatic that poetry resists our attempts to make sense of it. Here, Longenbach argues that the language of poetry resists itself even more than its readers and by doing so conquers our ... Přečíst celou recenzi
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Ashbery Auden aural Baudelaire become beginning Bernstein Bidart Bishop canto Capsule Charles Bernstein clause composed wonder crave culture Dickinson discover dream dry disjunction E. M. Cioran Eliot end-stopped enjambment experience Ezra Pound fiction figurative language final lines flower forget Frank Bidart free verse Gliick Graham human illusion imagine inevitably J. V. Cunningham Johnny Cake Jorie Graham kinds of line landscape line endings lyric meaning memory metaphor meter mind move necessarily never once opening lines Oppen parsing passage pleasure poems feel poet poet's poetic poetry's question repetition RESISTANCE TO POETRY rhyme says seems sense sentence simultaneously song sound speak speaker spoken squat stove stanza Stevens story strategic suggests syllables syntactical syntax tercet thing Tintern Abbey tree turning Ulysses untelling untidy activity voices W. H. Auden Wallace Stevens Wild Iris Williams Williams's wind word Wordsworth writing Yeats