Art in the Social Order: The Making of the Modern Conception of ArtState University of New York Press, 20. 3. 1997 - Počet stran: 213 Art in the Social Order makes a compelling case for the need to develop a properly historical approach to art. Preben Mortensen seeks to replace the dominant approaches to the question of the nature of art in contemporary English-speaking (analytic) philosophy with a historicist approach that emphasizes localized, cultural-historical narratives. For the first time, a historical examination of the origin of our ideas of art are related to questions in contemporary art theory. Mortensen shows that our conception of art emerged in the eighteenth century as part of new ideas of edification and of the presentation of the self. He examines the complex social and cultural context in which our ideas of art emerge in the eighteenth century. In a context of social, political, and cultural changes, knowledge about art and the display of taste come to indicate social distinctions and replace older notions of birth and rank. Mortensen connects these historical developments to contemporary discussions about the relationship between high art and popular art. |
Vyhledávání v knize
Výsledky 1-5 z 35
Strana viii
... Hutcheson and the Problem of Conspicuous Consumption . 14. From the Morality to the Autonomy of Art 15. Art , Autonomy , and Ideology Notes References Index 107 119 129 139 ISI 171 185 193 207 ACKNOWLEDGMENTS I wish to thank Barry Allen ...
... Hutcheson and the Problem of Conspicuous Consumption . 14. From the Morality to the Autonomy of Art 15. Art , Autonomy , and Ideology Notes References Index 107 119 129 139 ISI 171 185 193 207 ACKNOWLEDGMENTS I wish to thank Barry Allen ...
Strana ix
... Art Criticism , for permission to reprint from " Francis Hutcheson and the Problem of Conspicuous Consumption , " which appeared there in vol . 53 , pp . 155–65 . The Modern Conception of Art Our conception of the fine IX Acknowledgments.
... Art Criticism , for permission to reprint from " Francis Hutcheson and the Problem of Conspicuous Consumption , " which appeared there in vol . 53 , pp . 155–65 . The Modern Conception of Art Our conception of the fine IX Acknowledgments.
Strana 8
... Hutcheson , and others , must be seen as steps in the development of a theoretical framework , wherein the changing role of the types of activity , which came to be included in the modern conception of art , could be understood and made ...
... Hutcheson , and others , must be seen as steps in the development of a theoretical framework , wherein the changing role of the types of activity , which came to be included in the modern conception of art , could be understood and made ...
Strana 9
... Hutcheson's work is interpreted in its social and historical context , it becomes apparent that their contributions to the formation of the modern conception of art and the philosophy of art are deeply influenced by these historical ...
... Hutcheson's work is interpreted in its social and historical context , it becomes apparent that their contributions to the formation of the modern conception of art and the philosophy of art are deeply influenced by these historical ...
Strana 51
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
1 | |
11 | |
13 | |
Wittgensteinian Philosophies of Art | 21 |
Art as History and Theory | 33 |
The Histories of Philosophy | 43 |
Conceptions of History | 49 |
Part | 61 |
Art Manners and the Presentation of the Self | 83 |
Standards of Taste | 91 |
Shaftesbury and the Morality of Art Appreciation | 107 |
Politeness | 129 |
From the Morality to the Autonomy of Art | 151 |
Art Autonomy and Ideology | 171 |
Notes | 185 |
Index | 207 |
Další vydání - Zobrazit všechny
Art in the Social Order: The Making of the Modern Conception of Art Preben Mortensen Omezený náhled - 1997 |
Art in the Social Order: The Making of the Modern Conception of Art Preben Mortensen Omezený náhled - 1997 |
Art in the Social Order: The Making of the Modern Conception of Art Preben Mortensen Náhled není k dispozici. - 1997 |
Běžně se vyskytující výrazy a sousloví
according activities actually Addison aesthetic analytic philosophy approach artistic artworld autonomy of art become behavior Bourdieu called Cézanne chap claim conception of art connection considered conspicuous consumption conspicuous leisure contemporary context create criticism Danto Descartes Dickie Dickie's discourse discussion disinterested distinction early eighteenth century eighteenth century emergence England Essay essentialist examination example expressive order fact faculty gentleman Heltzel high art historicist history of art Hobbes Hume Hutcheson idea important interest interpretation judgment of taste Kant knowledge Locke Locke's luxury Mandeville modern conception moral nature of art notion Novitz objects one's painting particular person philosophy of art Pietism pleasure political popular art possible Post-Impressionists practice present principles problems question reason reformation of manners religious Richard Shusterman Schiller Shaftesbury Shusterman social specific Stolnitz Tatler Theocles theoretical theory of art things Tilghman tion traditional aesthetics truth understanding values virtue Woodmansee writings