Art in the Social Order: The Making of the Modern Conception of ArtState University of New York Press, 20. 3. 1997 - Počet stran: 213 Art in the Social Order makes a compelling case for the need to develop a properly historical approach to art. Preben Mortensen seeks to replace the dominant approaches to the question of the nature of art in contemporary English-speaking (analytic) philosophy with a historicist approach that emphasizes localized, cultural-historical narratives. For the first time, a historical examination of the origin of our ideas of art are related to questions in contemporary art theory. Mortensen shows that our conception of art emerged in the eighteenth century as part of new ideas of edification and of the presentation of the self. He examines the complex social and cultural context in which our ideas of art emerge in the eighteenth century. In a context of social, political, and cultural changes, knowledge about art and the display of taste come to indicate social distinctions and replace older notions of birth and rank. Mortensen connects these historical developments to contemporary discussions about the relationship between high art and popular art. |
Vyhledávání v knize
Výsledky 1-5 z 30
Strana 2
... considered an essay in meta - aesthetics rather than in aesthetics as such . I use the four ideas listed above as a preliminary empirical characterization of our conception of art , and do not , so far , make any claims as to whether ...
... considered an essay in meta - aesthetics rather than in aesthetics as such . I use the four ideas listed above as a preliminary empirical characterization of our conception of art , and do not , so far , make any claims as to whether ...
Strana 5
... considered a competent practitioner of sci- ence or medicine ) , or for membership in a culture . Such a process of forgetting has , I suggest , taken place in the philosophy of art . At the core of recent philosophy of art is a ...
... considered a competent practitioner of sci- ence or medicine ) , or for membership in a culture . Such a process of forgetting has , I suggest , taken place in the philosophy of art . At the core of recent philosophy of art is a ...
Strana 8
... considered a conclusion , but made a point of departure for further investigation . Chapters 4 and 5 probe deeper into the historical nature of philosophical problems and develop a historicist approach to them . In addition to the ...
... considered a conclusion , but made a point of departure for further investigation . Chapters 4 and 5 probe deeper into the historical nature of philosophical problems and develop a historicist approach to them . In addition to the ...
Strana 18
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 23
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
1 | |
11 | |
13 | |
Wittgensteinian Philosophies of Art | 21 |
Art as History and Theory | 33 |
The Histories of Philosophy | 43 |
Conceptions of History | 49 |
Part | 61 |
Art Manners and the Presentation of the Self | 83 |
Standards of Taste | 91 |
Shaftesbury and the Morality of Art Appreciation | 107 |
Politeness | 129 |
From the Morality to the Autonomy of Art | 151 |
Art Autonomy and Ideology | 171 |
Notes | 185 |
Index | 207 |
Další vydání - Zobrazit všechny
Art in the Social Order: The Making of the Modern Conception of Art Preben Mortensen Omezený náhled - 1997 |
Art in the Social Order: The Making of the Modern Conception of Art Preben Mortensen Omezený náhled - 1997 |
Art in the Social Order: The Making of the Modern Conception of Art Preben Mortensen Náhled není k dispozici. - 1997 |
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according activities actually Addison aesthetic analytic philosophy approach artistic artworld autonomy of art become behavior Bourdieu called Cézanne chap claim conception of art connection considered conspicuous consumption conspicuous leisure contemporary context create criticism Danto Descartes Dickie Dickie's discourse discussion disinterested distinction early eighteenth century eighteenth century emergence England Essay essentialist examination example expressive order fact faculty gentleman Heltzel high art historicist history of art Hobbes Hume Hutcheson idea important interest interpretation judgment of taste Kant knowledge Locke Locke's luxury Mandeville modern conception moral nature of art notion Novitz objects one's painting particular person philosophy of art Pietism pleasure political popular art possible Post-Impressionists practice present principles problems question reason reformation of manners religious Richard Shusterman Schiller Shaftesbury Shusterman social specific Stolnitz Tatler Theocles theoretical theory of art things Tilghman tion traditional aesthetics truth understanding values virtue Woodmansee writings