Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Svazek 28Gale Research Company, 1984 |
Vyhledávání v knize
Výsledky 1-3 z 43
Strana 5
... symbolic func- tion it may have been recognized to carry , could itself take a symbolic form in festival is proved by an intrigu- ing reference Underdown cites from Somerset in 1603 , involving some trouble while someone was ' playing ...
... symbolic func- tion it may have been recognized to carry , could itself take a symbolic form in festival is proved by an intrigu- ing reference Underdown cites from Somerset in 1603 , involving some trouble while someone was ' playing ...
Strana 213
... symbolism no one is just a consumer ; a spiral of becoming is celebrated . Falstaff and his recruits form an inseparable , symbolic whole of plenty and pen- ury and it is the ritual role of Lenten Hal to point this out . So whereas ...
... symbolism no one is just a consumer ; a spiral of becoming is celebrated . Falstaff and his recruits form an inseparable , symbolic whole of plenty and pen- ury and it is the ritual role of Lenten Hal to point this out . So whereas ...
Strana 269
... symbolic diet identifies him as a version of unreclaimed ' natural ' man ; hence a symbolic relative of Caliban.87 The connec- tion is underlined by the symbolic identity of their correc- tive ordeals : Caliban entering ' with a burden ...
... symbolic diet identifies him as a version of unreclaimed ' natural ' man ; hence a symbolic relative of Caliban.87 The connec- tion is underlined by the symbolic identity of their correc- tive ordeals : Caliban entering ' with a burden ...
Obsah
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
Další části 25 nejsou zobrazeny.
Běžně se vyskytující výrazy a sousloví
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York