The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630
Drawing on entirely new evidence, The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630 examines the history of English dramatic form and its relationship to the mathematics, technology, and early scientific thought during the Renaissance period. The book demonstrates how practical modes of thinking that were typical of the sixteenth century resulted in new genres of plays and a new vocabulary for problems of poetic representation. Inthe epistemological moment the book recovers, we find new ideas about form and language that would become central to Renaissance literary discourse; in this same moment, too, we find new ways of thinking about the relationship between theory and practice that are typical of modernity, new attitudes towardsspatial representation, and a new interest in both poetics and mathematics as distinctive ways of producing knowledge about the world. By emphasizing the importance of theatrical performance, the book engages with continuing debates over the cultural function of the early modern stage and with scholarship on the status of modern authorship. When we consider playwrights in relation to the theatre rather than the printed book, they appear less as 'authors' than as figures whose social positionand epistemological presuppositions were very similar to the craftsmen, surveyors, and engineers who began to flourish during the sixteenth century and whose mathematical knowledge made them increasingly sought after by men of wealth and power.
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ...
Henry S. Turner
Náhled není k dispozici. - 2006
A. W. Johnson action analogy analysis argues argument Aristotelian Aristotle Aristotle’s Blundeville century Chapter Cicero cited classical comedy concept contemporary conventions critical Defence Dekker demonstrate derived describe device diagrams dialectic discussion distinct dramatic early-modern Eastward Hoe emblematic emplotment English epistemological ethical fictional figure Gabriel Harvey geometry George Puttenham Gresham College Harvey Harvey’s Humour iconic imagination instruments intellectual invention Jardine Jonson judgement Justiniano knowledge language Lear lines literary London manuals masque mathematical measurement mechanical arts methods mimetic mode nature Nicomachean Ethics notion object offstage pageants particular passage performance philosophy phronesis platform stage play play’s playwrights plot poesy poet poetic practitioners principles problems provides Puttenham Quintilian reader relationship representation rhetoric scene semiosis semiotic Shakespeare Sidney Sidney’s similar sixteenth-century social space spatial arts specific structure techniques theatre theatrical theoretical tion topographic translation urban Vitruvius Volpone writing