Camilla, a true woman in one particular, N. 15.
Carbuncle, (Dr.) his dye, what, N. 52.
Censor of small wares, an officer to be appointed, N. 16
Charles I. a famous picture of that prince, N. 58.
Chevy-Chase, the Spectator's examen of it, N. 70, 74.
Chronogram, a piece of false wit, N. 60.
Cicero, a punfter, N. 61. The entertainment found in his

philosophick writings, ibid.
Clarinda, an idol, in what manner worshiped, N. 73.
Cleanthe, her story, N. 15.
Clergyman, one of the Speciator's club, N. 2.
Clergy, a threefold division of them, N. 21.
Clubs, nocturnal assemblies so called, N. 9. Several names

of clubs, and their originals, ibid. &c. Rules prescribed to be observed in the two-penny club, ibid. . An account of the ugly club, 17. The fighing club, 30. The fringe-glove club, ibid. The amorous club, ibid. The hebdomadal club: fome account of the members of that club, 43. and of the everlasting club, 72. The club of ugly faces, 78. The difficulties met with in

erecting that club, ibid. Commerce, the extent and advantage of it, N. 69. Consciousness, when called affectation, N. 38. Conversation mot straitened in numerous assemblies,

N. 68. Coquettes, the present numerous race, to what owing,

N. 66, Coverly, (Sir Roger de) a member of the Spectator's club,

his character, N. 2. His opinion of men of fine parts, 6. Courtiers habit, on what occafions hieroglyphical,

N. 64. Cowley, abounds in mixt wit, N. 62. Crab, of King's College, in Cambridge, Chaplain to the

club of ugly faces, N. 78. Credit, a beautiful virgin, her situation and equipage,

N. 3. a great valetudinarian, ibid. Cross (Mis) wanted near half a ton of being as hand

fome as Madam Van Brisket, a great beauty in the Low-Countries, N. 32.

D.
Ancing, a difcourse on it, defended, N. 67.

Death, the time and manner of our death not known to us, N. 7.

Deformity,

N. 41.

Deformity, no cause of shame, N. 17.
Delight and surprize, properties essential to wit, N. 6z.
Dignitaries of the law, who, N. 21.
Divorce, what esteemed to be a just pretension to one,
Donne, (Dr.) his description of his mistress, N. 48.
Dryden, his definition of wit censured, N. 62.
Dúll fellows, who, N. 43. their enquiries are not for

information but.exercise, ibid. Naturally turn their

heads to politicks or poetry, ibid. Dutch more polite than the English in their buildings,

and monuments of their dead, N. 26: Djer, the news-writer, an Arifiotle in politicks, N. 43.

E.

N. His

19. E

relief, ibid. The way to obtain his favour, ibid. Ephesian matron, the story of her, N. 11. Epicietus, his obfervation upon the female sex, N. 53. Epigram on Hecatisa, N. 52. Epitaphs, the extravagance of some, and modesty of

others, N. 26. An epitaph written by Ben Yonfon, 33. Equipages, the splendor of them in France, N. 15. A

great temptation to the female sex, ibid. Etherege, (Sir George) author of a comedy, called, Sbe

would if she could, reproved, N. 51.
Eubulus, his character, N. 49.
Eucrate, the favourite of Pharamond, N. 7.6
Eudojia, hier beñaviour, N. 79,

F.
Able of the lion and the man, N. 11. Of tħe-

children and frogs, 23. Of Jupiter and tủe country
man, 25:
Falthood (the goddess of) N. 63.
False wit, the region of it, N. 25.
Falstoff (Sir John) a famous Butt, N. 470
Fame, generally coveted, N. 73.
Falhion, the force of it, N. 64.
Fear of death often moral, N. 25
Fine Gentlemen, a character frequently misapplied by

the Fair Sex, N. 75. Flutter, (Sir Fopling) a comedy; some remarks upon it,

N. 65. Eools, great plenty of them the first day of April, N. 47.

Freeport

F

N. 2.

J N.73

Han keragedy, N.

I N D E X.
Freeport, (Sir Andrew) a member of the Spectator's club,
French poets, wherein to be imitated by the English, N.45.
Friendship, the great benefit of it, N. 68. The medicine

of life, ibid. The qualifications of a good friend, ibid.

G.
Allantry; wherein true gallantry ought to confift,

;
Gaper; tlié sign of the gaper frequent in Amsterdam, N.47.
Ghosts warned out of the playhouse, N. 36. the appearance

of a ghost of great efficacy on an English theatre, 44.
Gospel goffips described, N. 46.
Goths in poetry, who, N. 62.

H.
Andkerchief, the great machine for moving pity

44.
Happiness, (true) an enemy to pomp and noife, N. 15.
Hard words ought not to be pronounced right by well-

bred Ladies, N. 45.
Heroes in an English tragedy generally lovers, N. 40..
Hobbes (Mr.), his observation upon laughter, N. 47
Honeycomb (Will), his character, N. 2. his discourse with

the Spectator in the playhouse, 4. his adventure with a

Piet, 41. Throws his watch into the Thames, 77.
Human nature, the same in all reasonable creatures, N.703.
Honour to be described only by negatives, N. 35. the
genealogy of the true honour, ibid. and of false, ibid.

I
Ambick verse the most proper for Greek tragedies,
N.

.
James, how polished by Love, N. 71.
Idiots, in great requet in most of the German courts,
Idols, who of the Fair Sex so called, N. 73.
Impudence gets the better of modeity, N. 2. An impu-

dence committed by the eyes, 20. The definition of

English, Scotch, and Iris impudence, ibid.
Indion Kings, some of their observations during their

stay here, N. 50.
Indiscretion, more hurtful than ill-nature, N. 23..
Injuries how to be measured, N.

. 23.
Inkle and Yarico, their story, N. 11.
Innocence, and not quality, an exeinption from reproof,
34•

Fonfong

+

N. 47:

Fonfor (Ben) an epitaph written by him on a Lady, N. 33. Italian writers, forid and wordy, N. 5.

K.

a

Klebo oho... fates his case in a letter to the Speco

tator, N. 24
Kiffing-dances censured, N. 67.

L
Ady's library described, N. 37.

Lætitia and Daphne, their story, N. 33
Lampoons written by people that cannot spell, N. 16.

witty lampoons inhic wounds that are incurable, 23. the inhuman barbarity of the ordinary scribblers of

lampoons, ibid. Larvati, who so called among the ancients, N. 32.

. Lath ('íquire), has a good eltate, which he would part

withal for a pair of legs to his mind, N. 32. Laughter, (immoderate) a sign of pride, N. 47. the pro

vocations to it, ibid. Lawyers divided into the peaceable and litigious, N. 21.

both forts described, ibid. King Lear, a tragedy, fuffers in the alteration, N. 40. Lee, the poet, well turned for tragedy, N. 39. Learning ought not to claim any merit to itself, but

upon the application of it, N.6. Leonora, her character, N. 37. The description of her

country-feat, ibid. Letters to the Spectator ; complaining of the masquerade,

N. 8. from the opera-lion, 14. from the under-fexton of Covent-Garden parish, ibid. from the undertaker of thé masquerade, ibid. from one who had been to see the opera of Rinaldo, and the puppet-fhow, ibid. from Charles Lillie, 16. from the president of the ugly club, 17. from S. C. with a complaint against the starers, 20. from Tbo. Prone, who acted the wild boar that was killed by Mrs. Tofts, 22. from William Screne and Ralph

Şimple, ibid. from an actor, ibid. from King Latinus, ib. from Tbo. Kimbow, 24. from Will Fassion to his would-he acquaintance, ibid. from Mary Tuesday on the fame subject, ib. from a Valetudinarian to the Spectator, 25. from some persons to the Speftator's Clergyman, 27. from one who would be inspector of the fign-posts, 28. from the master of the thow at Charing Cross, ibid. from a member of the amorous club, at Oxford, 30. from a

member of the ugly club, 32. from a Gentleman to such
Ladies as are professed beauties, 33. to the Speãtator from
T. D. containing an intended regulation of the playa
house, 36. from the playhouse thunder, ibid. from
the Spectator to an affected very witty man, 38. from a
married man, with a complaint that his wife painted, 41.
from Abraham Froth a member of the Hebdumadal meet-
ing in Oxford, 43. from a husband plagued with a gor-
pel-gollip, 46. from an ogling-master, ib. from the
Spectator to the president and fellows of the ugly club,
48. from Hecatifa to the Spectator, ibid. from an old
beau, ib. from Epping, with some account of a compa-
ny of stroilers, ib. from a Lady, complaining of a par.
fage in the Funeral, 51. from Hugh Goblin, prefident of
the Ugly Club, 52. from Q. R. concerning laughter,
ib. the Spectator's answer, ib. from R. B. to the Sper-
tator, with a proposal relating to the education of lo-
vers, 53. from Anna Bella, ib. from a fplenetick Gen-
tleman, ibid. from a reformed ftarer, complaining of a
peeper, ibid. from King Latinas, ibid. from a Gentle-
man at Cambridge, containing an account of a new fect
of philofophers called Lowngers, 54. from Celimene, 66.
from a father, complaining of the liberties taken in
country.dances, ib. from James to Betty, 73. to the
Spectator from the ugly club at Cambridge, 78. from a
whimsical young Lady, 79. from B. D. defiring a ca-

talogue of books for the female library, ib.
Letter-dropper of antiquity, who, N. 59.
Library, a Lady's library described, N. 37.
Life, the duration of it uncertain, N.

27.
Lindamira, the only woman allowed to paint, N. 41.
Lion in the Hay-Market occasioned many conje&tures in

the town, N. 13. very gentle to the Spectator, ibid.
London, an emporium for the whole earth, N. 69.
Love, the general concern of it, N. 30.
Love of the world, our hearts milled by it, N. 27.
Luxury, what, N. 55. attended often with avarice, ib..

a fable of those two vices, ibid.
Lowongets, a new feet of philosophers in Cambridge, N. 54..

M.
AN a fociable animal, N.9. The loss of publick
Masquerade, a complaint against it, N. 8. The design of
it, ibid.

Mazarine

a

M o of