Camilla, a true woman in one particular, N. 15.
Carbuncle, (Dr.) his dye, what, N. 52.

Cenfor of small wares, an officer to be appointed, N. 16,
Charles I. a famous picture of that prince, N. 58.
Chevy-Chafe, the Spectator's examen of it, N. 70, 74.
Chronogram, a piece of falfe wit, N. 60.

Cicero, a punfter, N. 61. The entertainment found in his philofophick writings, ibid.

Clarinda, an idol, in what manner worshiped, N. 73. 1.73. Cleanthe, her ftory, N. 15.

Clergyman, one of the Spectator's club, N. z.
Clergy, a threefold divifion of them, N. 21.

Clubs, nocturnal affemblies fo called, N. 9. Several names of clubs, and their originals, ibid. &c. Rules prescribed to be observed in the two-penny club, ibid. An account of the ugly club, 17. The fighing club, 30. The fringe-glove club, ibid. The amorous club, ibid. The hebdomadal club: fome account of the members of that club, 43. and of the everlasting club, 72. The club of ugly faces, 78. The difficulties met with in erecting that club, ibid.

Commerce, the extent and advantage of it, N. 69.
Confcioufnefs, when called affectation, N. 38.

Converfation most straitened in numerous assemblies,
N. 68.

Coquettes, the prefent numerous race, to what owing, Ń. 66,

Coverly, (Sir Roger de) a member of the Spectator's club, his character, N. 2. His opinion of men of fine parts, 6. Courtiers habit, on what occafions hieroglyphical, N. 64.

Cowley, abounds in mixt wit, N. 62.

Crab, of King's College, in Cambridge, Chaplain to the club of ugly faces, N. 78.

Credit, a beautiful virgin, her fituation and equipage, N. 3. a great valetudinarian, ibid.

Crofs (Mifs) wanted near half a ton of being as handfome as Madam Van Brisket, a great beauty in the Low-Countries, N. 32.

D.

D Death, the time and manner of our death not

Ancing, a difcourfe on it, defended, N. 67.

known to us, N. 7.

Deformity,

Deformity, no caufe of fhame, N. 17.

Delight and furprize, properties effential to wit, N. 6z. Dignitaries of the law, who, N. 21.

Divorce, what efteemed to be a juft pretenfion to one,
N. 41.

Donne, (Dr.) his defcription of his mistress, N. 4r.
Dryden, his definition of wit cenfured, N. 62.

Dull fellows, who, N. 43. their enquiries are not for information but exercife, ibid. Naturally turn their heads to politicks or poetry, ibid.

Dutch more polite than the English in their buildings, and monuments of their dead, N. 26.

Dyer, the news-writer, an Aristotle in politicks, N. 43. E.

relief, ibid. The way to obtain his favour, ibid. Ephefian matron, the ftory of her, N. 11.

Epictetus, his obfervation upon the female fex, N. 53. Epigram on Hecatiffa, N. 52.

Epitaphs, the extravagance of fome, and modefty of others, N. 26. An epitaph written by Ben Jonson, 33.. Equipages, the fplendor of them in France, N. 15. A great temptation to the female fex, ibid.

Etherege, (Sir George) author of a comedy, called, Sbe. would if he could, reproved, N. 51.

Eubulus, his character, N. 49.

Eucrate, the favourite of Pharamond, N. 76.
Eudofia, her behaviour, N. 79.

F

F.

Able of the lion and the man, N. 11. Of the children and frogs, 23. Of Jupiter and the country

man, 25.

Falfhood (the goddefs of) N. 63.

Falfe wit, the region of it, N. 25.

Falstaff (Sir John) a famous Butt, N. 47.

Fame, generally coveted, N. 73

Falhion, the force of it, N. 64.

Fear of death often mortal, N. 25.

Fine Gentlemen, a character frequently mifapplied by the Fair Sex, N. 75.

Flutter, (Sir Fopling) a comedy; fome remarks upon it, N. 65.

Ecols, great plenty of them the first day of April, N. 47.

·Freeporty

Freeport, (Sir Andrew) a member of the Spectator's club,
N. 2.
French poets, wherein to be imitated by the English, N.45.
Friendship, the great benefit of it, N. 68. The medicine of
life, ibid. The qualifications of a good friend, ibid.

G

G.

Allantry; wherein true gallantry ought to consist,

N.7 Gaper; the fign of the gaper frequent in Amfterdam, N.47• Ghofts warned out of the playhouse, N. 36. the appearance of a ghoft of great efficacy on an English theatre, 44. Gofpel goffips defcribed, N. 46.

Goths in poetry, who, N. 62.

H.

Andkerchief, the great machine for moving pity in a tragedy, N. 44.

HA

Happiness, (true) an enemy to pomp and noife, N. 15. Hard words ought not to be pronounced right by wellbred Ladies, N. 45•

Heroes in an English tragedy generally lovers, N. 40... Hobbes (Mr.), his obfervation upon laughter, N. 47• Honeycomb (Will), his character, N. 2. his difcourfe with

the Spectator in the playhouse, 4. his adventure with a Pitt, 41. Throws his watch into the Thames, 77. Human nature, the fame in all reasonable creatures, N. 75. Honour to be described only by negatives, N. 35. the genealogy of the true honour, ibid. and of falfe, ibid.

Ι

Ambick verfe the most proper for Greek tragedies,

IN. 39.

James, how polished by Love, N. 71.

Idiots, in great requeft in most of the German courts,

N. 47:

Idols, who of the Fair Sex fo called, N. 73.

Impudence gets the better of modefty, N. 2. An impudence committed by the eyes, 20. The definition of English, Scotch, and Irish impudence, ibid.

Indian Kings, fome of their obfervations during their itay here, N. 50.

Indifcretion, more hurtful than ill-nature, N. 23..
Injuries how to be measured, N. 23.

Inkle and Yarico, their flory, N. 11.

Innocence, and not quality, an exemption from reproof,

34.

Fonfons

Jonfon (Ben) an epitaph written by him on aLady, N. 33.
Italian writers, florid and wordy, N. 5.

K.

Kinbow (Tho.), ftates his cafe in a letter to the Spec

tator, N. 24.

Kiffing-dances cenfured, N. 67.

L

Ady's library defcribed, N. 37.
Letitia and Daphnt, their story, N. 33.

Lampoons written by people that cannot fpell, N. 16.
witty lampoons inflict wounds that are incurable, 23.
the inhuman barbarity of the ordinary fcribblers of
lampoons, ibid.

Larvati, who fo called among the ancients, N. 32. Lath (fquire), has a good eftate, which he would part withal for a pair of legs to his mind, N. 32.

Laughter, (immoderate) a fign of pride, N. 47. the provocations to it, ibid.

Lawyers divided into the peaceable and litigious, N. 21.
both forts defcribed, ibid.

King Lear, a tragedy, fuffers in the alteration, N. 40.
Lee, the poet, well turned for tragedy, N. 39.
Learning ought not to claim any merit to itfelf, but
upon the application of it, N. 6.

Leonora, her character, N. 37. The defcription of her
country-feat, ibid.

Letters to the Spectator; complaining of the mafquerade, N. 8. from the opera-lion, 14. from the under-fexton of Covent-Garden parish, ibid. from the undertaker of the masquerade, ibid. from one who had been to fee the opera of Rinaldo, and the puppet-fhow, ibid. from Charles Lillie, 16. from the prefident of the ugly club, 17. from S. C. with a complaint against the ftarers, 20. from Tho. Prone, who acted the wild boar that was killed by Mrs. Tofts, 22. from William Screne and Ralph Simple, ibid. from an actor, ibid. from King Latinus, ib. from Tho. Kimbow, 24. from Will Fashion to his would-be acquaintance, ibid. from Mary Tuesday on the fame fubject, ib. from a Valetudinarian to the Spectator, 25. from fome perfons to the Spectator's Clergyman, 27. from one who would be infpector of the fign-pofts, 28. from the master of the fhow at Charing-Crofs, ibid. from a member of the amorous club, at Oxford, 30. from a member

member of the ugly club, 32. from a Gentleman to fuch
Ladies as are profeffed beauties, 33. to the Spectator from
T. D. containing an intended regulation of the play-
house, 36. from the playhoufe thunder, ibid. from
the Spectator to an affected very witty man, 38. from a
married man, with a complaint that his wife painted,41.
from Abraham Froth a member of the Hebdomadal meet-
ing in Oxford, 43. from a hufband plagued with a gof-
pel-goffip, 46. from an ogling-mafter, ib. from the
Spectator to the prefident and fellows of the ugly club,
48. from Hecatiffa to the Spectator, ibid. from an old
beau, ib. from Epping, with fome account of a compa-
ny of stroilers, ib. from a Lady, complaining of a paf-
fage in the Funeral, 51. from Hugh Goblin, prefident of
the Ugly Club, 52. from 2. R. concerning laughter,
ib. the Spectator's anfwer, ib. from R. B. to the Spee-
tator, with a proposal relating to the education of lo-
vers, 53. from Anna Bella, ib. from a fplenetick Gen-
tleman, ibid. from a reformed ftarer, complaining of a
peeper, ibid. from King Latinas, ibid. from a Gentle-
man at Cambridge, containing an account of a new fect
of philofophers called Loungers, 54. from Celimene, 66.
from a father, complaining of the liberties taken in
country.dances, ib. from James to Betty, 71. to the
Spectator from the ugly club at Cambridge, 78. from a
whimfical young Lady, 79. from B. D. defiring a ca-
talogue of books for the female library, ib.
Letter-dropper of antiquity, who, N. 59.
Library, a Lady's library defcribed, N. 37.
Life, the duration of it uncertain, N.
Lindamira, the only woman allowed to paint, N. 41.
Lion in the Hay-Market occafioned many conjectures in
the town, N. 13. very gentle to the Spectator, ibid.
London, an emporium for the whole earth, N. 69.
Love, the general concern of it, N. 30.

27.

Love of the world, our hearts milled by it, N. 27.
Luxury, what, N. 55. attended often with avarice, ib..
a fable of those two vices, ibid.

Lowngers, a new fect of philofophers in Cambridge, N. 54..

M

M.

AN a fociable animal, N. 9. The lofs of publick
and private virtues owing to men of parts, 6.
Mafquerade, a complaint against it, N. 8. The defign of
it, ibid.
Mazarine