The Spectator: ... |
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Výsledky 1-5 z 55
Strana 17
He knows the history of every mode , and can inform you from which of the French king's wenches our wives and daughters had this manner of curling their hair , that way of placing their hoods ; whose frailty was covered by such a fort ...
He knows the history of every mode , and can inform you from which of the French king's wenches our wives and daughters had this manner of curling their hair , that way of placing their hoods ; whose frailty was covered by such a fort ...
Strana 20
... with vast sums of gold that rose up in pyramids on either side of her : but this I did not so much wonder at , when I heard , upon inquiry , that she had the same virtue in her touch a a which the poets tell us a Lydian king was.
... with vast sums of gold that rose up in pyramids on either side of her : but this I did not so much wonder at , when I heard , upon inquiry , that she had the same virtue in her touch a a which the poets tell us a Lydian king was.
Strana 21
a which the poets tell us a Lydian king was formerly por . ' Yeffed of ; and that she could convert whatever the pleased into that precious metal . After a little dizziness , and confused hurry of thought , which a man often meets with ...
a which the poets tell us a Lydian king was formerly por . ' Yeffed of ; and that she could convert whatever the pleased into that precious metal . After a little dizziness , and confused hurry of thought , which a man often meets with ...
Strana 27
How would the wits of King Charles's time have laughed to have seen Nicolini exposed to a tempeit in robes of ermine , and failing in au open boat upon a sea of paiteboard ? What a field of raillery would they have been let into ...
How would the wits of King Charles's time have laughed to have seen Nicolini exposed to a tempeit in robes of ermine , and failing in au open boat upon a sea of paiteboard ? What a field of raillery would they have been let into ...
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able acquaintance admiration affectation againſt appear audience beautiful body called character club conſider converſation deſign endeavour Engliſh eyes face fall fame figure firſt fome give greater half hand head hear heard heart himſelf hope humour keep kind king lady laſt learned letter Lion live look manner March means meet mind moſt muſt myſelf nature never night obſerved occaſion opera particular paſſion perſon piece play pleaſed poet preſent proper reader reaſon received ſaid ſame ſay ſee ſeems ſenſe ſeveral ſex ſhall ſhe ſhort ſhould ſome ſpeak Spectator ſtage ſubject ſuch taken talk tell themſelves theſe thing thoſe thought tion told town tragedy true turn uſe virtue whole woman women writing young