Merchant of Venice. As you like it. All's well that ends well. Taming of the shrew. Winter's taleF. C. and J. Rivington, 1823 |
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Výsledky 1-5 z 100
Strana 6
... SCENE , partly at VENICE , and partly at BELMONT , the seat of PORTIA , on the continent . In the old editions in quarto , for J. Roberts , 1600 , and in the old folio , 1623 , there is no enumeration of the persons . It was first made ...
... SCENE , partly at VENICE , and partly at BELMONT , the seat of PORTIA , on the continent . In the old editions in quarto , for J. Roberts , 1600 , and in the old folio , 1623 , there is no enumeration of the persons . It was first made ...
Strana 13
... SCENE II . Belmont . A Room in Portia's House . Enter PORTIA and NERISSA . Por . By my troth , Nerissa , my little body is aweary of this great world . Ner . You would be , sweet madam , if your miseries were in the same abundance as ...
... SCENE II . Belmont . A Room in Portia's House . Enter PORTIA and NERISSA . Por . By my troth , Nerissa , my little body is aweary of this great world . Ner . You would be , sweet madam , if your miseries were in the same abundance as ...
Strana 17
... SCENE III . Venice . A publick Place . Enter BASSANIO and SHYLock . Shy . Three thousand ducats , well . Bass . Ay , sir , for three months . Shy . For three months , - well . - Bass ... SCENE III . MERCHANT OF VENICE . 17 SCENE III. ...
... SCENE III . Venice . A publick Place . Enter BASSANIO and SHYLock . Shy . Three thousand ducats , well . Bass . Ay , sir , for three months . Shy . For three months , - well . - Bass ... SCENE III . MERCHANT OF VENICE . 17 SCENE III. ...
Strana 23
... SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attend- ants . Mor . Mislike me not for my complexion , The shadow'd livery of the ...
... SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attend- ants . Mor . Mislike me not for my complexion , The shadow'd livery of the ...
Strana 25
... SCENE II . Venice . A Street . Enter LAUNCELOT GOBBO . Laun . Certainly my conscience will serve me to run from this Jew , my master : The fiend is at mine elbow ; and tempts me , saying to me , Gobbo , Launcelot Gobbo , good Launcelot ...
... SCENE II . Venice . A Street . Enter LAUNCELOT GOBBO . Laun . Certainly my conscience will serve me to run from this Jew , my master : The fiend is at mine elbow ; and tempts me , saying to me , Gobbo , Launcelot Gobbo , good Launcelot ...
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Antigonus Antonio Autolycus Baptista Bass Bassanio BERTRAM Bianca Bion BIONDELLO Camillo CLEOMENES Count court daughter doth ducats Duke Enter Exeunt Exit eyes fair father fear fool forest of Arden fortune Ganymede gentle gentleman give Gremio hand hath hear heart heaven Hermione honest honour Hortensio i'the JOHNSON Kate Kath KATHARINA King knave lady Laun Launcelot Leon look lord Lucentio madam maid MALONE marry master means mistress musick Narbon Nerissa never Orlando Padua Petruchio Pisa play Polixenes poor pr'ythee pray queen ring Rosalind Rousillon Salan SCENE Servant Shakspeare Shep Shylock Sicilia signior Sirrah speak STEEVENS swear sweet tell thee There's thine thing thou art Touch Tranio unto wife Winter's Tale word young