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is a communication of mischief, and then only you have him fast. His conclusion is commonly one of these two, either a great man, or hanged.

A SURGEON

Is one that has some business about this building or little house of man, whereof nature is as it were the tiler, and he the plaisterer. It is ofter out of reparations than an old parsonage, and then he is set on work to patch it again. He deals most with broken commodities, as a broken head or a mangled face, and his gains are very ill got, for he lives by the hurts of the commonwealth. He differs from a physician as a sore does from a disease, or the sick from those that are not whole, the one distempers you within, the other blisters you without. He complains of the decay of valour in these days, and sighs for that slashing age of sword and buckler; and thinks the law against duels was made merely to wound his vocation. He had been long since undone if the charity of the stews had not relieved him, from whom he has his tribute as duly as the pope; or a wind-fall sometimes from a tavern, if a quart pot hit right. The rareness of his custom makes him pitiless when it comes, and he holds a patient longer than our [spiritual] courts a cause. He tells you what danger you had been in if he had staid but a minute longer, and though it be but a pricked finger, he makes of it much matter. He is a reasonable cleanly man, considering the scabs he has to deal with, and your finest ladies are now and then beholden to him for their best dressings. He curses old gentlewomen and their charity that makes his trade their alms; but his envy is never stirred so much as when gentlemen go over to fight upon Calais sands,1

1 Calais sands were chosen by English duellists to decide their quarrels on, as being out of the jurisdiction of the law. This custom is noticed in an Epigram written about the period in which this book first appeared.

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'When boasting Bembus challeng'd is to fight,

He seemes at first a very Diuell in sight:
Till more aduizde, will not defile [his] hands,
Vnlesse you meete him vpon Callice sands."

The Mastive or Young Whelpe of the olde Dog.
(Printed, as Warton supposes, about 1600.)

Epigrams and Satyrs. 4to, Lond.

A passage in The Beau's Duel: or a Soldier for the Ladies, a comedy, by Mrs.

whom he wishes drowned ere they come there, rather than the French shall get his custom.

A CONTEMPLATIVE MAN

Is a scholar in this great university the world; and the same his book and study. He cloisters not his meditations in the narrow darkness of a room, but sends them abroad with his eyes, and his brain travels with his feet. He looks upon man from a high tower, and sees him trulier at this distance in his infirmities and poorness. He scorns to mix himself in men's actions, as he would to act upon a stage; but sits aloft on the scaffold a censuring spectator. [He will not lose his time by being busy, or make so poor a use of the world as to hug and embrace it.] Nature admits him as a partaker of her sports, and asks his approbation, as it were, of her own works and variety. He comes not in company, because he would not be solitary; but finds discourse enough with himself, and his own thoughts are his excellent play-fellows. He looks not upon a thing as a yawning stranger at novelties, but his search is more mysterious and inward, and he spells heaven out of earth. He knits his observations together, and makes a ladder of them all to climb to God. He is free from vice, because he has no occasion to employ it, and is above those ends that make man wicked. He has learnt all that can here be taught him, and comes now to heaven to see more.

A SHE PRECISE HYPOCRITE

Is one in whom good women suffer, and have their truth misinterpreted by her folly. She is one, she knows not what herself if you ask her, but she is indeed one that has taken a toy at the fashion of religion, and is enamoured of the new fangle. She is

Centlivre, 4to, 1707, proves that it existed so late as at that day. "Your only way is to send him word you'll meet him on Calais sands; duelling is unsafe in England for men of estates," &c. See also other instances in Dodsley's Old Plays, edit. 1780, vii. 218; xii. 412.

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a nonconformist in a close stomacher and ruff of Geneva print,1 and her purity consists much in her linen. She has heard of the rag of Rome, and thinks it a very sluttish religion, and rails at the whore of Babylon for a very naughty woman. She has left her virginity as a relick of popery, and marries in her tribe without a ring. Her devotion at the church is much in the turning up of her eye; and turning down the leaf in her book, when she hears named chapter and verse. When she comes home, she commends the sermon for the Scripture, and two hours. She loves preaching better than praying, and of preachers, lecturers; and thinks the week day's exercise far more edifying than the Sunday's. Her oftest gossipings are sabbath-day's journeys, where (though an enemy to superstition), she will go in pilgrimagefive mile to a silenced minister, when there is a better sermon in her own parish. She doubts of the virgin Mary's salvation, and dares not saint her, but knows her own place in heaven as perfectly as the pew she has a key to. She is so taken up with faith she has no room for charity, and understands no good works but what are wrought on the sampler. She accounts nothing vices but superstition and an oath, and thinks adultery a less sin than to swear by my truly. She rails at other women by the names of Jezebel and Delilah; and calls her own daughters Rebecca and Abigail, and not Ann but Hannah. She suffers them not to learn on the virginals,2 because of their affinity with

1 Strict devotees were, I believe, noted for the smallness and precision of their ruffs, which were termed in print from the exactness of the folds. So in Mynshul's Essays, 4to, 1618. "I vndertooke a warre when I aduentured to speake in print, (not in print as Puritan's ruffes are set.)" The term of Geneva print probably arose from the minuteness of the type used at Geneva. In the Merry Devil of Edmonton, a comedy, 4to, 1608, is an expression which goes some way to prove the correctness of this supposition:-"I see by thy eyes thou hast bin reading little Geneua print;"—and, that small ruffs were worn by the puritanical set, an instance appears in Mayne's City Match, a comedy, 4to, 1658.

"O miracle!

Out of your little ruffe, Dorcas, and in the fashion!

Dost thou hope to be saved?"

From these three extracts it is, I think, clear that a ruff of Geneva print means a small, closely-folded ruff, which was the distinction of a nonconformist.

2 A virginal, says Mr. Malone, was strung like a spinnet, and shaped like a

organs, but is reconciled to the bells for the chimes' sake, since they were reformed to the tune of a psalm. She overflows so with the Bible, that she spills it upon every occasion, and will not cudgel her maids without Scripture. It is a question whether she is more troubled with the Devil, or the Devil with her: she is always challenging and daring him, and her weapon [1is The Practice of Piety.] Nothing angers her so much as that women cannot preach, and in this point only thinks the Brownist erroneous; but what she cannot at the church she does at the table, where she prattles more than any against sense and Antichrist, 'till a capon's wing silence her. She expounds the priests of Baal, reading ministers, and thinks the salvation of that parish as desperate as the Turk's. She is a main derider to her capacity of those that are not her preachers, and censures all sermons but bad ones. If her husband be a tradesman, she helps him to customers, howsoever to good cheer, and they are a most faithful couple at these meetings, for they never fail. Her conscience is like others' lust, never satisfied, and you might better answer Scotus than her scruples. She is one that thinks she performs all her duties to God in hearing, and shows the fruits of it in talking. She is more fiery against the maypole than her husband, and thinks she might do a Phineas' act to break the pate of the fiddler. She is an everlasting argument, but I am weary of her.

A SCEPTIC IN RELIGION

Is one that hangs in the balance with all sorts of opinions, whereof not one but stirs him and none sways him. A man guiltier of credulity than he is taken to be; for it is out of his belief of everything, that he fully believes nothing. Each religion scares him from its contrary: none persuades him to itself. He would be wholly a Christian, but that he is something of an atheist, and wholly an atheist, but that he is partly a Christian; and a perfect pianoforte: the mode of playing on this instrument was therefore similar to that of the organ.

1 Weapons are spells no less potent than different, as being the sage sentences of some of her own sectaries. First edit.

heretic, but that there are so many to distract him. He finds reason in all opinions, truth in none: indeed the least reason perplexes him, and the best will not satisfy him. He is at most a confused and wild Christian, not specialized by any form, but capable of all. He uses the land's religion, because it is next him, yet he sees not why he may not take the other, but he chuses this, not as better, but because there is not a pin to choose. He finds doubts and scruples better than resolves them, and is always too hard for himself. His learning is too much for his brain, and his judgment too little for his learning, and his over-opinion of both, spoils all. Pity it was his mischance of being a scholar; for it does only distract and irregulate him, and the world by him. He hammers much in general upon our opinion's uncertainty, and the possibility of erring makes him not venture on what is true. He is troubled at this naturalness of religion to countries, that protestantism should be born so in England and popery abroad, and that fortune and the stars should so much share in it. He likes not this connection with the commonweal and divinity, and fears it may be an arch-practice of state. In our differences with Rome he is strangely unfixed, and a new man every new day, as his last discourse-book's meditations transport him. He could like the gray hairs of popery, did not some dotages there stagger him he would come to us sooner, but our new name affrights

He is taken with their miracles, but doubts an imposture; he conceives of our doctrine better, but it seems too empty and naked. He cannot drive into his fancy the circumscription of truth to our corner, and is as hardly persuaded to think their old legends true. He approves well of our faith, and more of their works, and is sometimes much affected at the zeal of Amsterdam. His conscience interposes itself betwixt duellers, and whilst it would part both, is by both wounded. He will sometimes propend much to us upon the reading a good writer, and at Bellarmine1 recalls as far back again; and the fathers justle him from

1 Robert Bellarmine, an Italian jesuit, was born at Monte Pulciano, a town in Tuscany, in the year 1542, and in 1560 entered himself among the jesuits. In 1599 he was honoured with a cardinal's hat, and in 1602 was presented with the archbishopric of Capua: this, however, he resigned in 1605, when Pope Paul V. desired

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