Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 31
... fools' secrets heedfully o'er-eye” (IV.3. 76-78). Regarding costuming, we have some visual evidence—a few drawings have survived, most notably a drawing of a scene in Titus Andronicus, Shakespeare's earliest tragedy. Often the text is ...
... fools' secrets heedfully o'er-eye” (IV.3. 76-78). Regarding costuming, we have some visual evidence—a few drawings have survived, most notably a drawing of a scene in Titus Andronicus, Shakespeare's earliest tragedy. Often the text is ...
Strana 50
... fools these mortals be ! " ( III.2.114-15 ) . How different is the sword play in the town square of Verona , as Tybalt seeks to kill Romeo , and then Romeo , who at first tries to make peace because Tybalt has become his cousin by ...
... fools these mortals be ! " ( III.2.114-15 ) . How different is the sword play in the town square of Verona , as Tybalt seeks to kill Romeo , and then Romeo , who at first tries to make peace because Tybalt has become his cousin by ...
Strana 64
... fools like Feste in Twelfth Night and the fool in King Lear will give us some idea of that earlier tradition . When plays were acted in aristocratic houses , the freedom of the audience to interrupt the performance had a class dimension ...
... fools like Feste in Twelfth Night and the fool in King Lear will give us some idea of that earlier tradition . When plays were acted in aristocratic houses , the freedom of the audience to interrupt the performance had a class dimension ...
Strana 65
... fools these mortals be . " And so we perceive how little profit they are able to make of their experience as it's reflected back to them on the comic stage . There is a particular image in A Midsummer Night's Dream that points to the ...
... fools these mortals be . " And so we perceive how little profit they are able to make of their experience as it's reflected back to them on the comic stage . There is a particular image in A Midsummer Night's Dream that points to the ...
Strana 87
... fool anybody about the truth . The tone is one of collusive and cynical self - mockery . Richard knows , and he knows that his buddies know , that the public treasury didn't “ grow ” light . It was looted , and the men with whom he's ...
... fool anybody about the truth . The tone is one of collusive and cynical self - mockery . Richard knows , and he knows that his buddies know , that the public treasury didn't “ grow ” light . It was looted , and the men with whom he's ...
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word