Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
Vyhledávání v knize
Výsledky 1-5 z 61
Strana 6
... the Shakespearean moment A Midsummer Night's Dream ................................................................... 45 Richard II ................................................................................................70 1 ...
... the Shakespearean moment A Midsummer Night's Dream ................................................................... 45 Richard II ................................................................................................70 1 ...
Strana 17
... Richard Tarleton ) . The following year Essex's Men were there . By whatever pathway Shakespeare traveled to the London stage , by 1592 he was ensconced in the world he would inhabit until 1613 , when he retired to Stratford three years ...
... Richard Tarleton ) . The following year Essex's Men were there . By whatever pathway Shakespeare traveled to the London stage , by 1592 he was ensconced in the world he would inhabit until 1613 , when he retired to Stratford three years ...
Strana 20
... Richard Tarleton and the leading man Edward Alleyn did that ) , but their profession itself brought them no social status . They were always ready to respond to popular taste , which meant being " song and dance " men , fencers , and ...
... Richard Tarleton and the leading man Edward Alleyn did that ) , but their profession itself brought them no social status . They were always ready to respond to popular taste , which meant being " song and dance " men , fencers , and ...
Strana 24
... Richard Burbage, son of the first theater owner and an actor himself. Burbage's counterpart in the main rival company, called the Lord Admiral's Men until 1603 and then the Prince's Men, was Edward Alleyn, Philip Henslowe's son-in-law ...
... Richard Burbage, son of the first theater owner and an actor himself. Burbage's counterpart in the main rival company, called the Lord Admiral's Men until 1603 and then the Prince's Men, was Edward Alleyn, Philip Henslowe's son-in-law ...
Strana 37
... Richard II, the first of the two history plays we'll explore at length. At this point, however, I prefer to focus on a single aspect of Shakespeare's culture, an aspect so central to it and at the same time so essential to Shakespeare's ...
... Richard II, the first of the two history plays we'll explore at length. At this point, however, I prefer to focus on a single aspect of Shakespeare's culture, an aspect so central to it and at the same time so essential to Shakespeare's ...
Další vydání - Zobrazit všechny
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Běžně se vyskytující výrazy a sousloví
Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word