Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 12
... asks us to regard Iago's destruction of Othello in terms of Satan's destruction of a human soul . In the final scene ... [ ask ] that demi- devil / Why he has thus ensnar'd my soul and body ? " Using such cues , either Hoskins or the ...
... asks us to regard Iago's destruction of Othello in terms of Satan's destruction of a human soul . In the final scene ... [ ask ] that demi- devil / Why he has thus ensnar'd my soul and body ? " Using such cues , either Hoskins or the ...
Strana 18
... asks him , “ What masque ? what music ? How shall we beguile / The lazy time , if not with some delight ? " Philostate gives him a list of possibilities — all of which he calls “ sports . ” It includes a youth singing on a harp the ...
... asks him , “ What masque ? what music ? How shall we beguile / The lazy time , if not with some delight ? " Philostate gives him a list of possibilities — all of which he calls “ sports . ” It includes a youth singing on a harp the ...
Strana 31
... asks him to “cast thy nighted color off,” and his reply contains references to his “inky cloak” and “customary suits of solemn black.” That Hamlet still wears mourning while everyone else has followed the new king into ordinary court ...
... asks him to “cast thy nighted color off,” and his reply contains references to his “inky cloak” and “customary suits of solemn black.” That Hamlet still wears mourning while everyone else has followed the new king into ordinary court ...
Strana 34
... asks the Archbishop of Canterbury to give the legal grounds for the English crown's claim to vast territories in France. The archbishop's reply takes up 68 lines, full of historical and geographical information. For even a devout ...
... asks the Archbishop of Canterbury to give the legal grounds for the English crown's claim to vast territories in France. The archbishop's reply takes up 68 lines, full of historical and geographical information. For even a devout ...
Strana 37
... ask what theater is. An odd question, perhaps. Theater is so familiar to us, so much a part of our own culture, that to ask what it is may seem puzzling. Isn't theater a self-evident phenomenon, like brick-laying or a bridge? If you see ...
... ask what theater is. An odd question, perhaps. Theater is so familiar to us, so much a part of our own culture, that to ask what it is may seem puzzling. Isn't theater a self-evident phenomenon, like brick-laying or a bridge? If you see ...
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word