Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 33
... behavior. Still, however sophisticated Hamlet's sensibility might suggest that acting had become in the best London companies, it also suggests that the norm was conventional portrayal rather than subtlety of voice and gesture. Because ...
... behavior. Still, however sophisticated Hamlet's sensibility might suggest that acting had become in the best London companies, it also suggests that the norm was conventional portrayal rather than subtlety of voice and gesture. Because ...
Strana 36
... behavior as Prince Hal , would have been at least as well known to the theater - going public as , say , John Kennedy's life is to us . When we talk about 1 Henry IV , which shows us Prince Hal moving between state affairs and low ...
... behavior as Prince Hal , would have been at least as well known to the theater - going public as , say , John Kennedy's life is to us . When we talk about 1 Henry IV , which shows us Prince Hal moving between state affairs and low ...
Strana 43
... behavior can be understood as a role , and her “ taming " can be understood as her choice with the encouragement of others of a different role . Everyone in the play except Petruchio regards Katherina as a shrew . To them , “ Katherine ...
... behavior can be understood as a role , and her “ taming " can be understood as her choice with the encouragement of others of a different role . Everyone in the play except Petruchio regards Katherina as a shrew . To them , “ Katherine ...
Strana 56
... behavior is underscored when Capulet's wife tries to restrain him from entering the initial street brawl . He cries , " Give me my long sword ho ! " She replies , “ A crutch , a crutch ! why call you for a sword ? " But he refuses to ...
... behavior is underscored when Capulet's wife tries to restrain him from entering the initial street brawl . He cries , " Give me my long sword ho ! " She replies , “ A crutch , a crutch ! why call you for a sword ? " But he refuses to ...
Strana 61
... behavior seems to be related to assumptions or experiences beyond our comprehension . Does that mean their words or their behavior manifest derangement ? Might not they manifest instead an alternative arrangement , one that might make ...
... behavior seems to be related to assumptions or experiences beyond our comprehension . Does that mean their words or their behavior manifest derangement ? Might not they manifest instead an alternative arrangement , one that might make ...
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word