Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 12
... character and Bob Hoskins as Iago . At the theatrical moment we're now considering , Hoskins stood behind Hopkins and encircled him with his arms . The reasoning behind that choice of staging is that it underscores the way lago has ...
... character and Bob Hoskins as Iago . At the theatrical moment we're now considering , Hoskins stood behind Hopkins and encircled him with his arms . The reasoning behind that choice of staging is that it underscores the way lago has ...
Strana 25
... characters very well acted. At the end of the comedy [sic] they danced according to their custom with extreme elegance. Two in men's clothes and two in women's gave this performance, in wonderful combination with each other. On another ...
... characters very well acted. At the end of the comedy [sic] they danced according to their custom with extreme elegance. Two in men's clothes and two in women's gave this performance, in wonderful combination with each other. On another ...
Strana 29
... characters to be on an elevation like a balcony or the town walls . What DeWitt's drawing confirms is that there was no scenery in the public theaters . The sketch might have omitted rich decorations of the supporting pillars , the ...
... characters to be on an elevation like a balcony or the town walls . What DeWitt's drawing confirms is that there was no scenery in the public theaters . The sketch might have omitted rich decorations of the supporting pillars , the ...
Strana 30
... characters to step beside, thus indicating, by a well understood convention, that they were hidden from the view of other characters on the stage. The DeWitt drawing indicates that there were simple props—in this case a bench—which the ...
... characters to step beside, thus indicating, by a well understood convention, that they were hidden from the view of other characters on the stage. The DeWitt drawing indicates that there were simple props—in this case a bench—which the ...
Strana 35
... characters, language, physical action on the stage, and what Aristotle called spectacle, which itself can have several components, such as costumes, sets, lighting, and sound effects. But what shapes the story and gives coherence to the ...
... characters, language, physical action on the stage, and what Aristotle called spectacle, which itself can have several components, such as costumes, sets, lighting, and sound effects. But what shapes the story and gives coherence to the ...
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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