Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 42
... feels about the apparent subjugation to a male of a feisty woman . And for the actor playing Katherina's part , this decision is not academic . She has to decide how to deliver Katherina's lines in the last act . Especially she must ...
... feels about the apparent subjugation to a male of a feisty woman . And for the actor playing Katherina's part , this decision is not academic . She has to decide how to deliver Katherina's lines in the last act . Especially she must ...
Strana 64
... feel constrained to " behave themselves . " Talking , posturing , heckling , trading repartee with the actors , picking pockets , arranging sexual liaisons , even some physical rowdiness — all of that went on . Nor did the actors ...
... feel constrained to " behave themselves . " Talking , posturing , heckling , trading repartee with the actors , picking pockets , arranging sexual liaisons , even some physical rowdiness — all of that went on . Nor did the actors ...
Strana 71
... V. By now we should understand why Heminges and Condell used the category history play even though we might feel that some works they placed in that category can just as well be regarded as PROFOUNDLY ENTERTAINING 71.
... V. By now we should understand why Heminges and Condell used the category history play even though we might feel that some works they placed in that category can just as well be regarded as PROFOUNDLY ENTERTAINING 71.
Strana 72
... feeling that accompanied the emergence of the nation-state from the feudal dynastic organization of the Middle Ages. In England, that national feeling had been given an enormous boost in 1588, when the island nation had survived a major ...
... feeling that accompanied the emergence of the nation-state from the feudal dynastic organization of the Middle Ages. In England, that national feeling had been given an enormous boost in 1588, when the island nation had survived a major ...
Strana 76
... feeling of contrivance. Closely associated with this change is a diminishing use of rhymed lines. If we get a couplet in the late plays, it almost always comes at the very end of a speech and usually signals the end of a scene. To quote ...
... feeling of contrivance. Closely associated with this change is a diminishing use of rhymed lines. If we get a couplet in the late plays, it almost always comes at the very end of a speech and usually signals the end of a scene. To quote ...
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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