Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
Vyhledávání v knize
Výsledky 1-5 z 67
Strana 12
... hear it frequently and , finally , as a lingering echo when lago is led off in captivity at the end of the play . But although this staging of Iago's pledge of fidelity to Othello made sense , it flattened the possibilities Shakespeare ...
... hear it frequently and , finally , as a lingering echo when lago is led off in captivity at the end of the play . But although this staging of Iago's pledge of fidelity to Othello made sense , it flattened the possibilities Shakespeare ...
Strana 17
... hear , and were fain [ required ] to pawn their apparel for [ to cover ] their charge . " The point of citing Henslowe's letter is this : Pembroke's Men was a company composed of actors who had performed in London ; it must have owned ...
... hear , and were fain [ required ] to pawn their apparel for [ to cover ] their charge . " The point of citing Henslowe's letter is this : Pembroke's Men was a company composed of actors who had performed in London ; it must have owned ...
Strana 34
... hear proclaimed. Olivier made the archbishop into a figure of fun. His speech was written out on a long folded parchment, over which he increasingly lost control until it spilled out over the floor, and that was the end of it—to the ...
... hear proclaimed. Olivier made the archbishop into a figure of fun. His speech was written out on a long folded parchment, over which he increasingly lost control until it spilled out over the floor, and that was the end of it—to the ...
Strana 42
... hear no more of these characters , even though we might have expected them to come back at the end of the main story , as was usual with such devices . Many productions of The Taming of the Shrew omit this framing material . Franco ...
... hear no more of these characters , even though we might have expected them to come back at the end of the main story , as was usual with such devices . Many productions of The Taming of the Shrew omit this framing material . Franco ...
Strana 49
... hear by tale or history , The course of true love never did run smooth ; But either it was different in blood— Her . O cross ! too high to be enthrall'd to low . Lys . Or else misgraffed in respect of years- Her . O spite ! too old to ...
... hear by tale or history , The course of true love never did run smooth ; But either it was different in blood— Her . O cross ! too high to be enthrall'd to low . Lys . Or else misgraffed in respect of years- Her . O spite ! too old to ...
Další vydání - Zobrazit všechny
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Běžně se vyskytující výrazy a sousloví
Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word