Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 19
... kill them with horn or claws . These arenas provided the structural model for the public playhouses . They were circular or polygonal in shape and rose three stories with spectator galleries overlooking the " pit , " or ground space ...
... kill them with horn or claws . These arenas provided the structural model for the public playhouses . They were circular or polygonal in shape and rose three stories with spectator galleries overlooking the " pit , " or ground space ...
Strana 31
... killed. But if the city surrenders on the third day or later, everyone is killed. Each day is staged. On the first, Tamburlaine and all his army wear white and carry white banners. Subsequently the stage is filled with red, and finally ...
... killed. But if the city surrenders on the third day or later, everyone is killed. Each day is staged. On the first, Tamburlaine and all his army wear white and carry white banners. Subsequently the stage is filled with red, and finally ...
Strana 43
... kills her in her own humor [ temperament ] . " " " What Petruchio's strategy allows us to see in retrospect , if we didn't notice it at first , is that Katherina's shrewish behavior was an unhappy adjustment to an unhappy situation ...
... kills her in her own humor [ temperament ] . " " " What Petruchio's strategy allows us to see in retrospect , if we didn't notice it at first , is that Katherina's shrewish behavior was an unhappy adjustment to an unhappy situation ...
Strana 50
... kill Romeo , and then Romeo , who at first tries to make peace because Tybalt has become his cousin by marriage , kills him to avenge Mercutio's death . We are pulled into those emotions . To reinforce the power of Shakespeare's text to ...
... kill Romeo , and then Romeo , who at first tries to make peace because Tybalt has become his cousin by marriage , kills him to avenge Mercutio's death . We are pulled into those emotions . To reinforce the power of Shakespeare's text to ...
Strana 56
... kills Mercutio and then is killed by Romeo . Zefferelli has the madcap Mercutio cooling off in a horse trough in the piazza before the fight . When he is asked about his sword , Mercutio lets the tip of it show above the water between ...
... kills Mercutio and then is killed by Romeo . Zefferelli has the madcap Mercutio cooling off in a horse trough in the piazza before the fight . When he is asked about his sword , Mercutio lets the tip of it show above the water between ...
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word