Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 9
... looks diligently. I wish to thank Houghton Mifflin for permission to use The Riverside Shakespeare, G. Blakemore Evans general editor. My rare departures from play texts in that edition of the complete plays and poems are duly noted ...
... looks diligently. I wish to thank Houghton Mifflin for permission to use The Riverside Shakespeare, G. Blakemore Evans general editor. My rare departures from play texts in that edition of the complete plays and poems are duly noted ...
Strana 13
... look at Iago's final line in the scene : “ I am your own forever . " Not the devilish , " You are mine forever " —though the irony of the line is spacious enough to include that meaning — but “ I [ Iago ] am your own forever . ” He and ...
... look at Iago's final line in the scene : “ I am your own forever . " Not the devilish , " You are mine forever " —though the irony of the line is spacious enough to include that meaning — but “ I [ Iago ] am your own forever . ” He and ...
Strana 36
... look for them in the language . What is uniquely Shakespeare's in a play — no matter how much he borrows from his sources - is his language . There's no appreciating his characters apart from the lines they speak . They are realized ...
... look for them in the language . What is uniquely Shakespeare's in a play — no matter how much he borrows from his sources - is his language . There's no appreciating his characters apart from the lines they speak . They are realized ...
Strana 42
... the characters in the main plot ( the “ taming ” ) can be introduced as Sly's household actors playing those characters while the other characters in the Induction look on ; then Katherina's 42 HERBERT B. ROTHSCHILD JR .
... the characters in the main plot ( the “ taming ” ) can be introduced as Sly's household actors playing those characters while the other characters in the Induction look on ; then Katherina's 42 HERBERT B. ROTHSCHILD JR .
Strana 43
... look on ; then Katherina's initial behavior can be understood as a role , and her “ taming " can be understood as her choice with the encouragement of others of a different role . Everyone in the play except Petruchio regards Katherina ...
... look on ; then Katherina's initial behavior can be understood as a role , and her “ taming " can be understood as her choice with the encouragement of others of a different role . Everyone in the play except Petruchio regards Katherina ...
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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