Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 18
... lovers have been worked out by the end of Act IV . The fifth act is devoted to the nuptial celebrations of not only Duke Theseus and his bride Hippolyta , but also the two younger couples . Theseus calls for entertainment : Come now ...
... lovers have been worked out by the end of Act IV . The fifth act is devoted to the nuptial celebrations of not only Duke Theseus and his bride Hippolyta , but also the two younger couples . Theseus calls for entertainment : Come now ...
Strana 23
... lover Antony travestied on the popular stage: Antony Shall be brought drunken forth, and I shall see Some squeaking Cleopatra boy my greatness I' th' posture of a whore. Once possessed of a man's voice, the apprentice could rise in the ...
... lover Antony travestied on the popular stage: Antony Shall be brought drunken forth, and I shall see Some squeaking Cleopatra boy my greatness I' th' posture of a whore. Once possessed of a man's voice, the apprentice could rise in the ...
Strana 46
... lovers, akin to the way Shakespeare had doubled the twins in The Comedy of Errors when he adapted the plot of a Plautus play, figures importantly into Shakespeare's conception of the action and its outcome. We'll also look at another ...
... lovers, akin to the way Shakespeare had doubled the twins in The Comedy of Errors when he adapted the plot of a Plautus play, figures importantly into Shakespeare's conception of the action and its outcome. We'll also look at another ...
Strana 47
... lovers get into the woods outside of Athens , we'll witness a good deal of the “ brawling love ” and “ loving hate ” of which Romeo speaks and which is endemic to erotic passion in both plays . Still , the dominant key — to pick up the ...
... lovers get into the woods outside of Athens , we'll witness a good deal of the “ brawling love ” and “ loving hate ” of which Romeo speaks and which is endemic to erotic passion in both plays . Still , the dominant key — to pick up the ...
Strana 49
... lovers get some distance from their own emotions by realizing that their problem is not peculiar to them . Theirs is just the sort of problem that usually befalls young lovers . And how do they get that perspective ? By thinking about ...
... lovers get some distance from their own emotions by realizing that their problem is not peculiar to them . Theirs is just the sort of problem that usually befalls young lovers . And how do they get that perspective ? By thinking about ...
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word