Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 21
... political influence when seeking from the Queen's Privy Council the required royal license to perform . An interesting letter has survived from the year 1572 , the year the Vagrancy Statute was amended , addressed to Robert Dudley ...
... political influence when seeking from the Queen's Privy Council the required royal license to perform . An interesting letter has survived from the year 1572 , the year the Vagrancy Statute was amended , addressed to Robert Dudley ...
Strana 36
... political life and statecraft . Among these latter dramatic concerns are the relation between public persona and private person , and whether honor and political effectiveness are compatible . These dramatic concerns dictate what ...
... political life and statecraft . Among these latter dramatic concerns are the relation between public persona and private person , and whether honor and political effectiveness are compatible . These dramatic concerns dictate what ...
Strana 37
... politics or women or God erect barriers to understanding. Even scholars of the period can fall into the error of ... political history at the start of Chapter 2, which focuses on Richard II, the first of the two history plays we'll ...
... politics or women or God erect barriers to understanding. Even scholars of the period can fall into the error of ... political history at the start of Chapter 2, which focuses on Richard II, the first of the two history plays we'll ...
Strana 73
... political insignificance . There were still many sympathizers with the " Old Religion , " including the powerful Howard family and perhaps even Shakespeare's , but they weren't intent on reinstituting it in England . To do so would have ...
... political insignificance . There were still many sympathizers with the " Old Religion , " including the powerful Howard family and perhaps even Shakespeare's , but they weren't intent on reinstituting it in England . To do so would have ...
Strana 74
... meaning the most widely accepted - interpretation of the events I have just synopsized is called the Tudor myth . It was promulgated for political purposes by Henry VII , and stayed in favor 74 HERBERT B. ROTHSCHILD JR .
... meaning the most widely accepted - interpretation of the events I have just synopsized is called the Tudor myth . It was promulgated for political purposes by Henry VII , and stayed in favor 74 HERBERT B. ROTHSCHILD JR .
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word