Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
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Strana 58
... says , " Tis strange , my Theseus , that [ what ] these lovers speak of . " In reply , Theseus says , More strange than true . I never may believe These antic fables , nor these fairy toys . Lovers and madmen have such seething brains ...
... says , " Tis strange , my Theseus , that [ what ] these lovers speak of . " In reply , Theseus says , More strange than true . I never may believe These antic fables , nor these fairy toys . Lovers and madmen have such seething brains ...
Strana 61
... says about the minds of the lunatic and the lover as well . Earlier we said that society regards a person as mad ... say that the madman's world is unreal . All we'll say is that it's unsharable . Often we call people “ crazy ” only ...
... says about the minds of the lunatic and the lover as well . Earlier we said that society regards a person as mad ... say that the madman's world is unreal . All we'll say is that it's unsharable . Often we call people “ crazy ” only ...
Strana 79
... says he will make good his accusations in personal combat. Mowbray denies the charges and accepts Bullingbrook's personal challenge. King Richard urges them to forgive and forget, but since both men are adamant, he sets a place and date ...
... says he will make good his accusations in personal combat. Mowbray denies the charges and accepts Bullingbrook's personal challenge. King Richard urges them to forgive and forget, but since both men are adamant, he sets a place and date ...
Strana 86
... says that personal interests cannot bias the " unstooping firmness of my upright soul . " Now contrast that utterance - one is almost tempted to say that performance — of the public Richard , with these lines from the private Richard in ...
... says that personal interests cannot bias the " unstooping firmness of my upright soul . " Now contrast that utterance - one is almost tempted to say that performance — of the public Richard , with these lines from the private Richard in ...
Strana 87
... says what he as king is going to do , confident that he has the power to do it , even if the people won't believe that this exercise of royal authority is either moral or holy . The only departure from these lines of straightforward ...
... says what he as king is going to do , confident that he has the power to do it , even if the people won't believe that this exercise of royal authority is either moral or holy . The only departure from these lines of straightforward ...
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Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
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Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word