Profoundly Entertaining: An Introduction to Shakespeare's ArtistryXlibris Corporation, 2. 11. 2006 - Počet stran: 506 Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions. |
Vyhledávání v knize
Výsledky 1-5 z 83
Strana 11
... speaking world , but also on the European continent . And it has gradually extended to non - Western cultures as well . For example , the great Japanese film - maker Ahiro Kurasawa's " Throne of Blood , " based on Macbeth , and " Ran ...
... speaking world , but also on the European continent . And it has gradually extended to non - Western cultures as well . For example , the great Japanese film - maker Ahiro Kurasawa's " Throne of Blood , " based on Macbeth , and " Ran ...
Strana 18
... speaking of " the entertainment world " rather than " the theatrical world . " Theseus wants to be entertained , and he doesn't especially care what form the pastime takes . He mentions as options music , dancing , plays , and masques ...
... speaking of " the entertainment world " rather than " the theatrical world . " Theseus wants to be entertained , and he doesn't especially care what form the pastime takes . He mentions as options music , dancing , plays , and masques ...
Strana 30
... speak tentatively about the specifics of theatrical presentation. Usually, the best we can do is make educated guesses, relying heavily on the scripts themselves for clues. Regarding staging, in some cases the internal evidence can be ...
... speak tentatively about the specifics of theatrical presentation. Usually, the best we can do is make educated guesses, relying heavily on the scripts themselves for clues. Regarding staging, in some cases the internal evidence can be ...
Strana 31
... Speaking generally, costuming was a major part of the theatrical spectacle. As I said before, we know that the companies spent large sums on them. Given that the Elizabethan stage was bare of scenery, only the costumes—plus banners and ...
... Speaking generally, costuming was a major part of the theatrical spectacle. As I said before, we know that the companies spent large sums on them. Given that the Elizabethan stage was bare of scenery, only the costumes—plus banners and ...
Strana 34
... speaking parts. There was a good deal of action on Shakespeare's stage, but by-and-large his was a rhetorical theater. One must listen. We can surmise that the original audiences were better listeners than we. After all, most of their ...
... speaking parts. There was a good deal of action on Shakespeare's stage, but by-and-large his was a rhetorical theater. One must listen. We can surmise that the original audiences were better listeners than we. After all, most of their ...
Další vydání - Zobrazit všechny
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Profoundly Entertaining: An Introduction to Shakespeare's Artistry Herbert B. Rothschild Náhled není k dispozici. - 2006 |
Běžně se vyskytující výrazy a sousloví
Act III scene actors Antonio asks audience Aufidius Banquo Bassanio begins behavior blood Brutus Bullingbrook Caesar called casket Cassio Cesario characters comedy Coriolanus daughter death Desdemona discussion dramatic action Duke Duncan Edmund erotic eyes Falstaff father feel Fool force give Goneril Hamlet hath hear Henry honor Hotspur human Iago judgment kill King Lear lago later Leontes lines live look lord lovers Macbeth Macduff Malvolio Martius means Merchant of Venice Midsummer Night's Dream mind moral murder nature never Olivia Orsino Othello ourselves person play plebeians plot Plutarch political Polixenes Portia Prince reality Richard Richard II Rome says Sebastian seems sexual Shakespeare Shylock soliloquy soul speak speech stage story Tale tells theater theatrical thee there’s Theseus things thou Troilus and Cressida truth Twelfth Night Ulysses understand Venice Viola wife Winter's Tale word