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surrendered that fortress to the British troops. - The Aute of a shepherd, heard at a distance, in a fine summer day, amidst a beautiful scene of groves, hills, and waters, will give rapture to the ear of the wanderer, though the tune, the instrument, and the musician, be such as he could not endure in any other place. - If a song, or piece of mufic, should call up only a faint remembrance, that we were happy the last time we heard it, nothing more would be needful to make us listen to it again with peculiar satisfaction.

It is an amiable prejudice that people generally entertain in favour of their national music. This lowest degree of patriotisin is not without its merit: and that man must have a hard heart, or dull imagination, in whom, though endowed with musical sensibility, no sweet emotions would arise, on hearing, in his riper years, or in a foreign land, those strains that were the delight of his childhood. What though they be inferior to the Italian? What though they be even irregular and rude? It is not their merit, which in the case suppofed would interest a native, but the charming ideas they would recal to his mind :-ideas of innocence, fimplicity, and leisure, of romantic enterprise, and enthusiastic attachment; and of scenes, which, on recollection, we are inclined to think, that a brighter fun illuminated, a frether verdure crowned, and purer skies and

happier happier climes conspired to beautify, than are now to be seen in the dreary paths of care and disappointment, into which men, yielding to the passions peculiar to more advanced years, are tempted to wander.-There are couplets in Ogilvie's Translation of Virgil, which I could never read without emotions far more ardent than the merit of the numbers would justify. But it was that book which first taught me “ the tale of Troy

divine,” and first made me acquainted with poetical sentiments; and though I read it when almost an infant, it conveyed to my heart some pleasing impressions, that remain there unimpaired to this day.

There is a dance in Switzerland, which the

young shepherds perform to a tune played on a sort of bag-pipe. The tune is called Rance des vaches ; it is wild and irregular, but has nothing in its composition that could recommend it to our notice. But the Swiss are so intoxicated with this tune, that if at any time they hear it, when abroad in for reign service, they burst into tears; and often fall fick, and even die, of a passionate desire to revisit their native country; for which reason, in some armies where they serve, the playing of this tune is prohibited *. This tune, having been the attendant of their childhood and early youth, recals

* Rouffeau. Dictionaire de Musique, art, Rance des vaches,

to

to their memory those regions of wild beauty and rude magnificence, those days of liberty and peace, those nights of festivity, those happy assemblies, those tender passions, which formerly endeared to them their country, their homes, and their employments; and which, when compared with the scenes of uproar they are now engaged in, and the servitude they now undergo, awaken such regret as entirely overpowers them.

SECT. III. Conjectures on some peculiarities of National

Music.

THer
Here is a certain style of melody peculiar

to each musical country, which the people of that country are apt to prefer to every other style. That they should prefer their own, is not surprising; and that the melody of one people should differ from that of another, is not more surprising, perhaps, than that the language of one people should differ from that of another. But there is something not unworthy of notice in the particular expression and style that characterise the music of one nation or province, and distinguish it froin every other fort of mufic.

Of this diversity Scotland supplies

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a striking example. The native melody of the
highlands and western isles is as different from
that of the southern part of the kingdom, as
the Irish or Erse language is different from
the English or Scotch. In the conclusion of
a discourse on music as it relates to the mind,
it will not perhaps be impertinent to offer
a conjecture on the cause of these peculiari-
ties; which, though it should not (and in-
deed I am satisfied that it will not) fully,
account for any one of them, may however
incline the reader to think that they are not
unaccountable, and may also throw some
faint light on this part of philosophy.

Every thought that partakes of the nature of passion, has a correspondent expression in the look and gesture: and so strict is the union between the passion and its outward sign, that, where the former is not in some degree felt, the latter can never be perfectly natural, but, if assumed, becomes aukward mimickry, instead of that genuine imitation of nature, which draws forth the sympathy of the beholder. If, therefore, there be, in the circumstances of particular nations or persons, any thing that gives a peculiarity to their passions and thoughts, it seems reasonable to expect, that they will also have something peculiar in the expression of their countenance, and even in the form of their features, Caius Marius, Jugurtha, Tamerlane, and some other great warriors, are celebrated for a peculiar ferocity of aspect, which they had Vol. II.

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no doubt contracted from a perpetual and unrestrained exertion of fortitude, contempt, and other violent emotions. These produced in the face their correspondent expressions, which being often repeated, became at last as habitual to the features, as the sentiments they arose from were to the heart. Savages, whose thoughts are little inured to controul, have more of this fignificancy of look, than those men, who, being born and bred in civilized nations, are accustomed from their childhood to suppress every emotion that tends to interrupt the peace of society. And while the bloom of youth lasts, and the smoothness of feature peculiar to that period, the human face is less marked with any strong character, than in old age :-a peevish or surly stripling may elude the eye

of the physiognomist; but a wicked old man, whose visage does not betray the evil temperature of his heart, must have more cunning than it would be prudent for him to acknowledge. Even by the trade or profession the human countenance may be characterised. They who employ themselves in the nicer mechanic arts, that require the earnest attention of the artist, do generally contract a fixedness of feature suited to that one uniform sentiment which engrosses them while at work. Whereas, other artists, whose work requires less attention, and who may ply their trade and amuse themselves with conversation at the same time, have for the most

part

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