A History of Augustan FableCambridge University Press, 12. 11. 1998 - Počet stran: 280 This book explores the tradition of fable across a wide variety of written and illustrative media, from its origins in classical antiquity to the end of the eighteenth century and beyond. It offers both a history and a poetics of the genre, presenting a body of evidence to show the stable and transhistorical qualities of fable, while showing that many individual writers consciously employed these qualities in dynamic and witty ways highly responsive to their own historical and cultural moment. Tracing the impact of classical and European models on verse and moral fables of the eighteenth century, and the use of the fable by major writers - including Dryden, Pope, Mandeville, Swift, Gay and Cowper - in their historical and literary contexts, Mark Loveridge offers a full account of a significant form of English and European literature and suggests new ways of reading eighteenth-century literature. |
Obsah
Introduction I | 1 |
Fables and novels | 14 |
The Peachum position | 30 |
History transmission kindred | 62 |
Ogilby and after | 102 |
Dryden to Mandeville | 143 |
Mandeville Swift and Gay | 189 |
the diaspora of fable | 247 |
263 | |
275 | |
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Aesop Aesop's Fables Aesopian fable allegory animals appears application audience Augustan fable beasts Beggar's Opera Birds Bossu burlesque Catholic Chaucer's Christian classical Cock collection comic context Cowper critics culture discourse double Dryden effect eighteenth century emblem English fable Ephesian Matron epic example exemplarity fable's fabulist Female Quixote fiction Fielding's figure flattery Fontaine French Gay's Fables Hercules heroic Hind Houyhnhnms ibid illustration J. J. Grandville John Ogilby kind King L'Estrange La Fontaine later literary fable Mandeville Mandeville's masters medieval metaphor misreading mode modern Momus moral moralistic myth narrative natural novel numbers Ogilby Ogilby's opposition orthodox Pamela Panther parable paradox Pearl Phaedrian Phaedrus poem poet poetic poetry political Preface prose qualities reader reading reworking Reynard rhetorical romance satire says sense social speak story Swift Tale Thomas Chippendale tion tradition translation Tristram Shandy truth verse fable Walpole Wenceslaus Hollar word writing