 | Samuel Taylor Coleridge - 1817 - 312 str.
...to unify. It is essentially vital, even as all objects (a* objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and detinites. The Fancy is indeed no other than a mode of Memory emancipated from the order of time and... | |
 | Samuel Taylor Coleridge - 1834 - 360 str.
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and definities. The Fancy is, indeed, no other than a mode of Memory emancipated from the order of time... | |
 | Samuel Taylor Coleridge - 1840 - 582 str.
...to unify, ft is essentially vital, even as all objects (as objects) are essentially fixed and dead. it vere fragment! of our nature. A lascivious definities. The Fancy is, indeed, no other than a mode of Memory emancipated from the order of time... | |
 | 1848 - 722 str.
...impossible, yet still, at all events, it struggles to idealize and to unify. It is essentially vital," etc. " FANCY, on the contrary, has no other counters to play with, but fixities and definities. The fancy is, indeed, no other than a mode of memory emancipated from the order of time... | |
 | 1848 - 734 str.
...still, at all events, it struggles to idealize and to unify. It is essentially rilal," etc. " FANCV, on the contrary, has no other counters to play with, but fixities and definities. The fancy is, indeed, no other than a mode of memory emancipated from the order of time... | |
 | Samuel Taylor Coleridge - 1848 - 458 str.
...unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.15FANCY, on the contrary, has no other counters to play with, but fixities and definitcs. The fancy is indeed no other than a mode of memory emancipated from the order of time and... | |
 | 1848 - 1390 str.
...still, at all events, it struggles to idealize and to unify. It is essentially rilal," etc. " FAKCY, on the contrary, has no other counters to play with, but fixities ;md definities. The fancy is, indeed, no other than a mode of memory emancipated from the order of... | |
 | Samuel Taylor Coleridge - 1853 - 622 str.
...dead. FANCY, on the contrary, has no other counters to play with, bat fixities and de fin i tie«. non admiran hominem admirationo dignissimum, ijuia videre, complecti, nee ortler of lime and space, and blended with, and modified by, that empirical phenomenon of the will... | |
 | Samuel Taylor Coleridge - 1864 - 772 str.
...unify. It is essentially vital, even as all objects (as objects) are essen tially fixcd and dead.f FANCY, on the contrary, has no other counters to play...it is blended with, and modified by that empirical phenom enon of the will, which we express by the word Choice. But equally with the ordinary memory... | |
 | Samuel Taylor Coleridge - 1864 - 770 str.
...unify. It is essentially vital, even as all objects (as objects) are essen tially fixed and dead.f FANCY, on the contrary, has no other counters to play...it is blended with, and modified by that empirical phenoiu enon of the will, which we express by the word Choice. But equally with the ordinary memory... | |
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The Fancy is indeed no other than a mode of memory emancipated from the order of time and space ; and blended with, and modified by that empirical phenomenon of the will, which we express by the word choice. 
