 | William Shakespeare - 1788 - 346 str.
...contracted when we only see their imitation. It will be asked, how the drama moves, if it is not citdited ? It is credited with all the credit due to a drama....to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
 | William Shakespeare - 1803 - 494 str.
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited...to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
 | William Shakespeare - 1804 - 256 str.
...dramatic fable, in its materiality, was ever credible, pr for a single moment was ever credited. " It will be asked how the drama moves, if it is not credited...representing to the auditor what he would himself feel, if be were to do or suffer what is there feigned to be suffered or to be done. The reflection that strikes... | |
 | Samuel Johnson - 1806 - 376 str.
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
 | William Shakespeare - 1806 - 394 str.
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
 | William Shakespeare - 1809 - 390 str.
...nor garden, nor yet a publick place of any business but that of tile representation," Xteevtnt, It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not, that evils before us are real evils, but that they are evils to which we ourselves may be exposed.... | |
 | Samuel Johnson - 1809 - 488 str.
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not •credited....to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
 | William Shakespeare - 1809 - 394 str.
...nor garden, nor. yet a publick place of any business but that of f he representation." Steevens. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not, that evils before us are real evils, but that they are evils to which we ourselves may be exposed.... | |
 | William Shakespeare - 1810 - 444 str.
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
 | William Shakespeare - 1811 - 510 str.
...therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how th* drama moves, if it is not credited. It is credited...to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
| |
It will be asked how the drama moves if it is not credited. It is credited with all the credit due to a drama. It is credited, whenever it moves, as a just picture of a real original, as representing to the auditor what he would himself feel if he were... 
