McGuffey's Sixth Eclectic Reader, Kniha 6American Book Company, 1921 - Počet stran: 464 A traditional reader including stories, poems, and new word drills. The sixth reader in the set, revised and enlarged. Approximately one hundred leading authors are represented in the readings. |
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Strana iv
... notes , and the biographical notices of authors . The first , in the absence of a large number of books of reference , are absolutely necessary , in some cases , for the intelligent reading of the piece ; and it is believed that in all ...
... notes , and the biographical notices of authors . The first , in the absence of a large number of books of reference , are absolutely necessary , in some cases , for the intelligent reading of the piece ; and it is believed that in all ...
Strana 31
... NOTE . For the reason that the circumflex always suggests a double or doubtful meaning , it is appropriate for the purposes expressed in the rule . It is , also , frequently used in sportive language ; jokes and puns are commonly given ...
... NOTE . For the reason that the circumflex always suggests a double or doubtful meaning , it is appropriate for the purposes expressed in the rule . It is , also , frequently used in sportive language ; jokes and puns are commonly given ...
Strana 43
... NOTE . - Although it would be necessary , in these examples , to violate the laws of accent or emphasis , to give perfect rhythm , yet a careful and well - trained reader will be able to observe these laws and still give the rhythm in ...
... NOTE . - Although it would be necessary , in these examples , to violate the laws of accent or emphasis , to give perfect rhythm , yet a careful and well - trained reader will be able to observe these laws and still give the rhythm in ...
Strana 46
... note . It is that on which the voice usually dwells , and to which it most frequently returns when wearied . It is ... note higher , and practice on that key , then another , and so on , until the highest pitch of the voice has been ...
... note . It is that on which the voice usually dwells , and to which it most frequently returns when wearied . It is ... note higher , and practice on that key , then another , and so on , until the highest pitch of the voice has been ...
Strana 47
... NOTE . This is the pitch in which we converse . To strengthen it , we should read or speak in it as loud as possible , without rising to a higher key . To do this requires long - continued practice . 1. Under a spreading chestnut tree ...
... NOTE . This is the pitch in which we converse . To strengthen it , we should read or speak in it as loud as possible , without rising to a higher key . To do this requires long - continued practice . 1. Under a spreading chestnut tree ...
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arms Balth battle beauty birds Boabdil bobolinks born Brutus Cæsar cæsura called cloud cried Cromwell dark dead death deer fly dream earth England English eyes face falling inflection fame father gentleman give glory grace grave hand happy hast hath head hear heard heart heaven Henry honor hope hour Iago inflection Ivanhoe jolly old pedagogue Julius Cæsar king LAMPEDO land living look Lord mind morning nature never night noble o'er orator passed pause peace poems poet poor Rip Van Winkle rising Robert Raikes rock Samian wine scene schoolmaster Scotland silent sleep smile song soon soul sound South Carolina speak spirit subvocals tact talent tell thee thou thought tion turn uttered voice Wallace's Cave Westminster Abbey wind word writings Yale College young