Fairies, Fractious Women, and the Old Faith: Fairy Lore in Early Modern British Drama and CultureSusquehanna University Press, 2006 - Počet stran: 293 Fairies, unruly women, and vestigial Catholicism constituted a frequently invoked triad in late sixteenth- and early seventeenth-century drama which has seldom been critically examined and therefore constitutes a significant lacuna in scholarly treatments of early modern theater, including the work of Shakespeare. Fairy tradition has lost out in scholarly critical convention to the more masculine mythologies of Christianity and classical Greece and Rome, in which female deities either serve masculine gods or are themselves masculinized (i.e., Diana as a buckskinned warrior). However, the fairy tradition is every bit as significant in our critical attempts to situate early modern texts in their historical contexts as the references to classical texts and struggles associated with state-mandated religious beliefs are widely agreed to be. fairy, rebellious woman, quasi-Catholic trio repeatedly stages resistance to early modern conceptions of appropriate class and gender conduct and state-mandated religion in A Midsummer Night's Dream, The Merry Wives of Windsor, Cymbeline, All's Well That Ends Well, and Ben Jonson's The Alchemist. |
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Strana 175
... witchcraft practice . By the time of the earliest fairy plays ( 1580s ) , fairy beliefs had been distinguished from the capital crime of witchcraft , though they were still associated with it . As was the saint worship to which it was ...
... witchcraft practice . By the time of the earliest fairy plays ( 1580s ) , fairy beliefs had been distinguished from the capital crime of witchcraft , though they were still associated with it . As was the saint worship to which it was ...
Strana 247
... witchcraft , understanding the possibility of fabrication , the Daemonologie remained in print and available , and many continued to regard it as representative ... witchcraft legislation in England : " The first English Witchcraft NOTES 247.
... witchcraft , understanding the possibility of fabrication , the Daemonologie remained in print and available , and many continued to regard it as representative ... witchcraft legislation in England : " The first English Witchcraft NOTES 247.
Strana 248
... witchcraft ' not deadly . ' ” In 1604 , James I “ had Parliament pass a new Witchcraft Act which was considerably more severe than that of Elizabeth — widening the range of offences for which death was the penalty . " See The Witchcraft ...
... witchcraft ' not deadly . ' ” In 1604 , James I “ had Parliament pass a new Witchcraft Act which was considerably more severe than that of Elizabeth — widening the range of offences for which death was the penalty . " See The Witchcraft ...
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Alchemist All's ambiguous Ann Jeffries asserts associated audience Belarius Ben Jonson Bertram boy actor Catholic Catholicism changeling Christian Comedy Countess court critics cultural Cymbeline Daemonologie Dapper Demetrius demonic Diana Diane Purkiss discussion disguise Dunlop Early Modern England edited Elizabethan English Essays Faerie fairy belief fairy bride tradition fairy lore fairy queen fairyland Falstaff female feminine Folklore gender roles Guiderius healing Helena Hermia Herne the Hunter heroine human husband Iachimo Imogen invokes James Jeffries's John Jonson Katharine Briggs King Kirk liminal linked Literature London magic male marriage Merry Wives Midsummer Night's Dream midwives Mistress mortal narrative notes Oberon pagan Pitt play play's plot political popular Posthumus Posthumus's Protestant Puck puppet Puritans Reginald Scot Religion Renaissance Robert Routledge scene seventeenth century sexual Shakespeare social sociocultural spirits stage story supernatural theatrical Thomas tion Titania W. W. Greg Wales Welsh wife witchcraft witches Wives of Windsor woman women York