 | 1837 - 612 str.
...conceive any one intellectual or moral faculty in morbid excess, and then to place himself, Shakspeare, thus mutilated or diseased, under given circumstances. In Hamlet he seems to have wished to exemplifv the moral necessity of a due balance between our attention to the objects of our senses,... | |
 | 1840 - 824 str.
...task set before it, which is Goethe's solution; — or from the want of ' a due balance between an attention to the objects of ' our senses, and our meditation on the workings of our minds,' •which is Coleridge's ; — or from an anxious desire to weigh all the possible consequences of action... | |
 | William Shakespeare - 1843 - 652 str.
...were published) thus, in a few sentences, sums up the character of Hamlet. " In Hamlet Shakespeare seems to have wished to exemplify the moral necessity...senses, and our meditation on the workings of our minds, — an equilibrinm between the real and the imaginary worlds. In Hamlet this balance is disturbed :... | |
 | William Shakespeare - 1843 - 646 str.
...were published) thus, in a few sentences, sums up the character of Hamlet. " In Hamlet Shakespeare seems to have wished to exemplify the moral necessity...senses, and our meditation on the workings of our minds, — an equilibrium between the real and the imaginary worlds. In Hamlet this balance is disturbed :... | |
 | 1902 - 874 str.
...and represents a view which was at one time current, especially in Germany. "In Hamlet, Shakespeare seems to have wished to exemplify the moral necessity...the objects of our senses and our meditation on the working of our minds — an equilibrium between the real and the imaginary worlds." Not to dwell upon... | |
 | William Shakespeare - 1847 - 872 str.
...intellects ; and to that very class Coleridge himself belonged. He says — "In Hamlet, he (Shakespeare) — an equilibrium between the real and imaginary worlds. In Hamlet this balance is disturbed : his... | |
 | Samuel Taylor Coleridge - 1849 - 398 str.
...conceive any one intellectual or moral facultv in morbid excess, and then to place himself. Shakspeare, thus mutilated or diseased, under given circumstances....senses. and our meditation on the workings of our minds, — an equilibrium between the real and the imaginarv worlds. In Hamlet this balance is disturbed :... | |
 | Samuel Taylor Coleridge - 1853 - 512 str.
...conceive any one intellectual or moral faculty in morbid excess, and then to place himself, Shakspeare, thus mutilated or diseased, under given circumstances....senses, and our meditation on the workings of our minds,—an equilibrium between the real and the imaginary worlds. In Hamlet this balance is disturbed... | |
 | Samuel Taylor Coleridge - 1853 - 494 str.
...conceive any one intellectual or moral faculty in morbid excess, and then to place himself, Shakspeare, thus mutilated or diseased, under given circumstances....senses, and our meditation on the workings of our mindSi — an equilibrium between the real and the imaginary worlds. In Hamlet this balance is disturbed... | |
 | Samuel Taylor Coleridge - 1853 - 556 str.
...excess, and then to place himself, Shakspeare, thus mutilated or diseased, under given circum-/' stances. In Hamlet he. seems to have wished to exemplify the...senses, and our meditation on the workings of our tninds, — an equilibrium between the real and the imaginary worlds. In Hamlet this balance is disturbed... | |
| |
Hamlet he seems to have wished to exemplify the moral necessity of a due balance between our attention to the objects of our senses, and our meditation on the workings of our minds, an equilibrium between the real and the imaginary worlds. 
