A Postmodern Cinema: The Voice of the Other in Canadian FilmScarecrow Press, 2002 - Počet stran: 261 Alemany-Galway (media studies, Massey University, New Zealand) engages with a trend in Canadian cinema that speaks for those who are marginalized by society. She develops a rationale for a postmodern film theory to explore this trend and then focuses closely on four films: Jesus of Montreal, I've Heard the Mermaids Singing, Family Viewing, Life Classes. Annotation copyrighted by Book News, Inc., Portland, OR |
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Strana xv
... the films of Peter Greenaway would fall into this category ) .16 The first chapter of this book will deal with the differences between structuralism and poststructuralism and their relation to modern and post- modern art forms ...
... the films of Peter Greenaway would fall into this category ) .16 The first chapter of this book will deal with the differences between structuralism and poststructuralism and their relation to modern and post- modern art forms ...
Strana 242
... The Films of Peter Greenaway . Cam- bridge , Mass .: Cambridge University Press , 1997 . Grontkowski , Christine R. , and Evelyn Fox Keller . " The Mind's Eye . " In Discovering Reality : Feminist Perspectives on Epistemology ...
... The Films of Peter Greenaway . Cam- bridge , Mass .: Cambridge University Press , 1997 . Grontkowski , Christine R. , and Evelyn Fox Keller . " The Mind's Eye . " In Discovering Reality : Feminist Perspectives on Epistemology ...
Obsah
The Importance of Eisensteins Theories to Postmodernism | 25 |
Phenomenology and Postmodernism | 47 |
Structuralist Film Theory in the Light | 61 |
Autorská práva | |
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A Postmodern Cinema: The Voice of the Other in Canadian Film Mary Alemany-Galway Omezený náhled - 2002 |
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