A Postmodern Cinema: The Voice of the Other in Canadian FilmScarecrow Press, 2002 - Počet stran: 261 Alemany-Galway (media studies, Massey University, New Zealand) engages with a trend in Canadian cinema that speaks for those who are marginalized by society. She develops a rationale for a postmodern film theory to explore this trend and then focuses closely on four films: Jesus of Montreal, I've Heard the Mermaids Singing, Family Viewing, Life Classes. Annotation copyrighted by Book News, Inc., Portland, OR |
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Strana 18
... ambiguity of meaning and makes sure that this tripartite structure is neither stable nor totally ra- tional ... ambiguous , unpredictable nature of that reality is less easily avoided . This is why I consider these media to be ...
... ambiguity of meaning and makes sure that this tripartite structure is neither stable nor totally ra- tional ... ambiguous , unpredictable nature of that reality is less easily avoided . This is why I consider these media to be ...
Strana 40
... ambiguous meaning of the real does not necessarily lead to an avoidance of political issues . One of the reasons that postmodern artists have rejected mod- ernism ( particularly high modernism in its abstract mode ) is because ...
... ambiguous meaning of the real does not necessarily lead to an avoidance of political issues . One of the reasons that postmodern artists have rejected mod- ernism ( particularly high modernism in its abstract mode ) is because ...
Strana 56
... ambiguous meaning of reality to be experienced by the viewer . In a postmodern work like Marienbad , the sequence shot goes even further than this by establishing an illogicality within the mise - en - scéne , when a character appears ...
... ambiguous meaning of reality to be experienced by the viewer . In a postmodern work like Marienbad , the sequence shot goes even further than this by establishing an illogicality within the mise - en - scéne , when a character appears ...
Obsah
The Importance of Eisensteins Theories to Postmodernism | 25 |
Phenomenology and Postmodernism | 47 |
Structuralist Film Theory in the Light | 61 |
Autorská práva | |
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A Postmodern Cinema: The Voice of the Other in Canadian Film Mary Alemany-Galway Omezený náhled - 2002 |
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