A Postmodern Cinema: The Voice of the Other in Canadian FilmScarecrow Press, 2002 - Počet stran: 261 Alemany-Galway (media studies, Massey University, New Zealand) engages with a trend in Canadian cinema that speaks for those who are marginalized by society. She develops a rationale for a postmodern film theory to explore this trend and then focuses closely on four films: Jesus of Montreal, I've Heard the Mermaids Singing, Family Viewing, Life Classes. Annotation copyrighted by Book News, Inc., Portland, OR |
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Strana 52
... artist . Merleau - Ponty sees Cézanne as being able to focus his perceptions of nature in such a way as to express the balance and the order in its ambiguity.21 And , of course , anyone who has studied Cézanne's paintings , with their ...
... artist . Merleau - Ponty sees Cézanne as being able to focus his perceptions of nature in such a way as to express the balance and the order in its ambiguity.21 And , of course , anyone who has studied Cézanne's paintings , with their ...
Strana 104
... artist's visions be- come the true reality ; in Life Classes , the unwed mother from the back- ward village becomes the independent feminist artist ; in Family Viewing , the oppressed ethnic family triumphs over the white capitalist ...
... artist's visions be- come the true reality ; in Life Classes , the unwed mother from the back- ward village becomes the independent feminist artist ; in Family Viewing , the oppressed ethnic family triumphs over the white capitalist ...
Strana 200
... artist in this kind of society is that of being torn by the need to belong as well as the need to expand beyond ... artist with strong rural roots ; however , this artist is a woman , and she grows and survives both as an artist and as a ...
... artist in this kind of society is that of being torn by the need to belong as well as the need to expand beyond ... artist with strong rural roots ; however , this artist is a woman , and she grows and survives both as an artist and as a ...
Obsah
The Importance of Eisensteins Theories to Postmodernism | 25 |
Phenomenology and Postmodernism | 47 |
Structuralist Film Theory in the Light | 61 |
Autorská práva | |
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A Postmodern Cinema: The Voice of the Other in Canadian Film Mary Alemany-Galway Omezený náhled - 2002 |
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Alain Robbe-Grillet ambiguous André Bazin Arcand argues artist Atom Egoyan Bazin Bordwell camera Canada Canadian Film cinema communitas construction Contemporary contradictions contradictory culture David Bordwell deconstruction Denys Arcand Derrida discourse documentary Edited Eisenstein Essays Family Viewing father feminism feminist Fiction Film filmmakers formalist Hal Foster Heard the Mermaids Husserl idea interaction irony Ivan Jacques Derrida Jesus of Montreal Keefer Lacan language lesbian Linda Hutcheon London Lyotard MacGillivray Marienbad Mary meaning Mermaids Singing Metz Metz's mind mise en abyme modern modernist montage narrative novel object object/reality Patricia Rozema phenomenological play point of view political Polly position postmod postmodern film theory poststructuralism poststructuralist problematized Quebec Québécois reality Resnais Routledge Rozema scene seems shot social story strategies structuralist structuralist film theories structures of society style technique television tion Toronto tradition trans truth University Press Véronneau viewer visual woman women writing