A Postmodern Cinema: The Voice of the Other in Canadian FilmScarecrow Press, 2002 - Počet stran: 261 Alemany-Galway (media studies, Massey University, New Zealand) engages with a trend in Canadian cinema that speaks for those who are marginalized by society. She develops a rationale for a postmodern film theory to explore this trend and then focuses closely on four films: Jesus of Montreal, I've Heard the Mermaids Singing, Family Viewing, Life Classes. Annotation copyrighted by Book News, Inc., Portland, OR |
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Strana 39
... wife , and through the mise - en - scéne associated with the Virgin Mary , and her murder might be brought about by the diabolical schemes of the Boyars - but this The Importance of Eisenstein's Theories to Postmodernism 39.
... wife , and through the mise - en - scéne associated with the Virgin Mary , and her murder might be brought about by the diabolical schemes of the Boyars - but this The Importance of Eisenstein's Theories to Postmodernism 39.
Strana 114
... wife . The wife's artist lover ( based on Tom Thomson , one of the Group of Seven ) is a figure who can reconcile the two cultures and who represents an intense love of the land ; but he is shot dead by the hus- band's friend . The Far ...
... wife . The wife's artist lover ( based on Tom Thomson , one of the Group of Seven ) is a figure who can reconcile the two cultures and who represents an intense love of the land ; but he is shot dead by the hus- band's friend . The Far ...
Strana 168
... wife smiling fills the television screen looking down on him . Van pre- tends that Armen is a derelict that he has found in the storage room , and she is taken away in an ambulance . Van and Aline find her , and his mother , in a ...
... wife smiling fills the television screen looking down on him . Van pre- tends that Armen is a derelict that he has found in the storage room , and she is taken away in an ambulance . Van and Aline find her , and his mother , in a ...
Obsah
The Importance of Eisensteins Theories to Postmodernism | 25 |
Phenomenology and Postmodernism | 47 |
Structuralist Film Theory in the Light | 61 |
Autorská práva | |
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A Postmodern Cinema: The Voice of the Other in Canadian Film Mary Alemany-Galway Omezený náhled - 2002 |
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Alain Robbe-Grillet ambiguous André Bazin Arcand argues artist Atom Egoyan Bazin Bordwell camera Canada Canadian Film cinema communitas construction Contemporary contradictions contradictory culture David Bordwell deconstruction Denys Arcand Derrida discourse documentary Edited Eisenstein Essays Family Viewing father feminism feminist Fiction Film filmmakers formalist Hal Foster Heard the Mermaids Husserl idea interaction irony Ivan Jacques Derrida Jesus of Montreal Keefer Lacan language lesbian Linda Hutcheon London Lyotard MacGillivray Marienbad Mary meaning Mermaids Singing Metz Metz's mind mise en abyme modern modernist montage narrative novel object object/reality Patricia Rozema phenomenological play point of view political Polly position postmod postmodern film theory poststructuralism poststructuralist problematized Quebec Québécois reality Resnais Routledge Rozema scene seems shot social story strategies structuralist structuralist film theories structures of society style technique television tion Toronto tradition trans truth University Press Véronneau viewer visual woman women writing