Framing Shakespeare on FilmOhio University Press, 2000 - Počet stran: 255 The aesthetics of frame theory form the basis of Framing Shakespeare on Film. This groundbreaking work expands on the discussion of film constructivists in its claim that the spectacle of Shakespeare on film is a problem-solving activity. Kathy Howlett demonstrates convincingly how viewers' expectations for understanding Shakespeare on film can be manipulated by the director's cinematic technique. Emphasizing that the successful film can transform Shakespeare's text while remaining rooted in Shakespearean conceptions, Howlett raises the question of how directors and audiences understand the genre of Shakespeare on film and reveals how the medium alters the patterns through which the audience views Shakespeare. |
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Strana 201
... Watching Shakespeare on Television ( Ruther- ford , N.J .: Fairleigh Dickinson University Press , 1993 ) argues that cinematic pro- ductions of Hamlet fail as adaptations , compared with television productions of the play , because they ...
... Watching Shakespeare on Television ( Ruther- ford , N.J .: Fairleigh Dickinson University Press , 1993 ) argues that cinematic pro- ductions of Hamlet fail as adaptations , compared with television productions of the play , because they ...
Strana 233
... Watching Shakespeare on Television . Rutherford : Fairleigh Dick- inson University Press , 1993 . Crowl , Samuel . " Hamlet ' Most Royal ' : An Interview with Kenneth Branaugh . " Shakespeare Bulletin 12.4 ( 1994 ) . Shakespeare ...
... Watching Shakespeare on Television . Rutherford : Fairleigh Dick- inson University Press , 1993 . Crowl , Samuel . " Hamlet ' Most Royal ' : An Interview with Kenneth Branaugh . " Shakespeare Bulletin 12.4 ( 1994 ) . Shakespeare ...
Obsah
Introduction | 1 |
oney as Joe Harper as Hamlet in A Midwinters Tale | 17 |
Chapter | 20 |
Autorská práva | |
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