 Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast, and had not the flowing line, without which a figure could not possibly be graceful. When we entered...  The nature of the fine arts - Strana 86autor/autoři: Henry Parker - 1885Úplné zobrazení - Podrobnosti o knize
 | Samuel Johnson, John Hawkins - 1787 - 442 str.
...character as well as the figure of the man. He agreed it was very fine, but ic wanted fpirit and contraft, and had not the flowing line, without which a figure could not poilibly be graceful. When we entered the gallery, I thought I could perceive him recollecting his... | |
 | Samuel Johnson, John Hawkins - 1787 - 430 str.
...character as well as the figure of the man. He agreed it was very fine, but it wanted fpirit and contraft, and had not the flowing line, without which a figure could not poffibly be graceful. When we entered the gallery, I thought I could perceive him recollecting ht$... | |
 | Samuel Johnson, John Hawkins - 1787 - 432 str.
...character as well as the figure of the man. He agreed it was very fine, but it wanted fpirit and contraft, and had not the flowing line, without which a figure could not polftbly be graceful. When we entered the gallery, I thought I could perceive him recollecting his... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 str.
...Vandyck, as a perfect representation of the character as well as the figure of the man : He agreed it was very fine, but it wanted spirit and contrast, and had not the flowing line, without which a figurecould not possibly be graceful. When we entered the Gallery, I thought I could perceive him recollecting... | |
 | sir Joshua Reynolds - 1801 - 450 str.
...Vandyck, as a perfect representation of the character as well as the figure of the man : He agreed it was very fine, but it wanted spirit and contrast, and had not the flowing line, without which a figurecould not possibly be graceful. When we entered the Gallery, I thought I could perceive him recollecting... | |
 | 1803 - 222 str.
...Vandyke, as a perfect representation of the character as well as the figure of the man : he agreed it was very fine, but it wanted spirit and contrast,...perceive him recollecting his rules by which he was to criticize Raffaelle. I shall pass over his observation of the boats being too. little, and other criticisms... | |
 | Alexander Chalmers - 1808 - 410 str.
...When we entered the gallery, I VOL. xxxur. A a thought I could perceive him recollecting his rule§ by which he was to criticise Raffaelle. (I shall pass over his observation of the boots being too little, and other criticisms of that kind, till we arrived at St.... | |
 | Sir Joshua Reynolds - 1809 - 442 str.
...by Vandyck, as a perfect representation of the character as well as the figure of the man: He agreed it was very fine, but it wanted spirit and contrast, and had not the flowingline, without which a figure could not possibly be graceful. When we entered the Gallery, I... | |
 | Samuel Johnson - 1810 - 428 str.
...by Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast,...recollecting his rules by which he was to criticise Raffadle. I shall pass over his observation of the boats being too little, and other criticisms of... | |
 | Samuel Johnson - 1811 - 386 str.
...by Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit 'and contrast,...recollecting his rules by which he was to criticise Raffaele. I shall pass over his observation of the boats being too little, and other criticisms of... | |
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