Jadavpur journal of comparative literature, Svazek 13Department of Comparative Literature, Jadavpur University, 1975 |
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Výsledky 1-3 z 14
Strana 30
... stage is bare except for two chairs . Two doors , one stage left and one stage right , should be in clear view of the audience . When the curtain rises there is no one on stage . One can hear strange rattling and rumbling noises which ...
... stage is bare except for two chairs . Two doors , one stage left and one stage right , should be in clear view of the audience . When the curtain rises there is no one on stage . One can hear strange rattling and rumbling noises which ...
Strana 77
... stage simultaneous- ly - on both the Paris stage and the Calcutta one - and being misunder- stood simultaneously , as well . Perhaps that is what Molière wanted to emphasize when he introduced the Grand Turk's unintelligible syl- lables ...
... stage simultaneous- ly - on both the Paris stage and the Calcutta one - and being misunder- stood simultaneously , as well . Perhaps that is what Molière wanted to emphasize when he introduced the Grand Turk's unintelligible syl- lables ...
Strana 111
... stage directions is replaced by this unde- fined - . This gives consider- able scope to the producer who could bring on stage again some of the earlier dances - the dances of the tailors , of the cooks and so on . Some of the songs sung ...
... stage directions is replaced by this unde- fined - . This gives consider- able scope to the producer who could bring on stage again some of the earlier dances - the dances of the tailors , of the cooks and so on . Some of the songs sung ...
Obsah
From Aristotle to Roland Barthes | 1 |
MANABENDRA BANDYOPADHYAY | 24 |
Renaissance Values in The Tempest | 42 |
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