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"The first that died was sister Jane; In bed she moaning lay,

Till God released her of her pain;
And then she went away.

"So in the church-yard she was laid; And, when the grass was dry, Together round her grave we played, My brother John and I.

"And when the ground was white with snow, And I could run and slide,

My brother John was forced to go,
And he lies by her side."

"How many are you, then," said I, "If they two are in heaven?'' Quick was the little Maid's reply, "O Master! we are seven. ""

"But they are dead; those two are dead! Their spirits are in heaven!"'

'Twas throwing words away; for still The little Maid would have her will, And said, "Nay, we are seven!''

LINES WRITTEN IN EARLY SPRING*

I heard a thousand blended notes,
While in a grove I sate reclined,

In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.

To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.

Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.

The birds around me hopped and played,
Their thoughts I cannot measure:-
But the least motion which they made
It seemed a thrill of pleasure.

The budding twigs spread out their fan,

To catch the breezy air;

And I must think, do all I can,

That there was pleasure there.

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LINES COMPOSED A FEW MILES ABOVE
TINTERN ABBEY, ON REVISITING
THE BANKS OF THE WYE DURING
A TOUR. JULY 13, 1798.†

Five years have past; five summers, with the
length

Of five long winters! and again I hear
These waters, rolling from their mountain-
springs

With a soft inland murmur.-Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress

64 Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-

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tufts,

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Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses. Once again I see These hedge-rows, hardly hedge-rows, little lines Of sportive wood run wild: these pastoral farms,

Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.

These beauteous forms,
8 Through a long absence, have not been to me
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,

This is one of the earliest and most definite expressions of Wordsworth's faith in the essential oneness of man and nature, and of his sorrow over man's apostasy from that faith.

20

Note by Wordsworth: "I have not ventured to call this poem an Ode; but it was written with a hope that in the transitions, and the impassioned music of the versification. would be found the principal requisites of that species of composition." Professor Dowden remarks upon the four stages of the poet's growth to be found described in the poem: First. animal enjoyment of nature in boyhood; second, passion for beauty and sublimity; third, perception of nature's tranquillizing and elevating fluence on the spirit; and fourth, deep communion with a spiritual presence; stages which he further describes as the periods of the blood, of the senses, of the imagination, and of the soul.

in

For the effect of the tides on the Wye nearer its mouth, see Tennyson's In Memoriam, XIX.

With tranquil restoration:-feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,

Is lightened:--that serene and blessed mood,
In which the affections gently lead us on,—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

30 Unborrowed from the eye. That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,

40

If this
Be but a vain belief, yet, oh! how oft-
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart-
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished
thought,

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Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit, that impels

100

All thinking things, all objects of all thought,
And rolls through all things. Therefore am I

still

50 A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,-both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.

Nor perchance,
If I were not thus taught, should I the more
60 Suffer my genial spirits to decay:

With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was
when first

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120

For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform1
The mind that is within us, so impress
For nature With quietness and beauty, and so feed

I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than

one

Who sought the thing he loved. then

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With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish mẹn,
| Nor greetings where no kindness is, nor all 130
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
1 give form to, animate

When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place

140

For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing
thoughts

Of tender joy wilt thou remember me,

And these my exhortations! Nor, perchance— If I should be where I no more can hear

Thy voice, nor catch from thy wild eyes these gleams

Of past existence-wilt thou then forget

That on the banks of this delightful stream 150
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love-oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy
sake!

STRANGE FITS OF PASSION HAVE
I KNOWN*

Strange fits of passion have I known:
And I will dare to tell,

But in the Lover's ear alone,
What once to me befell.

When she I loved looked every day

Fresh as a rose in June,

I to her cottage bent my way

Beneath an evening-moon.

Upon the moon I fixed my eye,
All over the wide lea;

With quickening pace my horse drew nigh
Those paths so dear to me.

And now we reached the orchard-plot;

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And, as we climbed the hill,

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I TRAVELLED AMONG UNKNOWN MEN
I travelled among unknown men,
In lands beyond the sea;

Nor, England! did I know till then
What love I bore to thee.

'Tis past, that melancholy dream!
Nor will I quit thy shore

A second time; for still I seem
To love thee more and more.

Among thy mountains did I feel

The joy of my desire;

And she I cherished turned her wheel
Beside an English fire.

Thy mornings showed, thy nights concealed
The bowers where Lucy played;

And thine too is the last green field
That Lucy's eyes surveyed.

SHOWER

Three years she grew in sun and shower,
Then Nature said, "A lovelier flower
On earth was never sown;

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This little group of five poems upon an unknown THREE YEARS SHE GREW IN SUN AND and perhaps imaginary Lucy were written in Germany in the year 1799. Without titles or notes, or any ornament beyond two or three of the simplest figures, they convey absolutely their contained emotion, illustrating that poetry which, in moments of deepest feeling, is the natural language of man. fifth poem appears to sum up the preceding four; in its two brief stanzas it presents the two opposing and inscrutable mysteries of life and death, and leaves them to the imagination, without further comment.

The

This Child I to myself will take;

1 The name of several streams in England; one has been made famous by Izaak Walton, the angler.

She shall be mine, and I will make

A Lady of my own.

"Myself will to my darling be

Both law and impulse: and with me
The Girl, in rock and plain,

In earth and heaven, in glade and bower,
Shall feel an overseeing power

To kindle or restrain.

"She shall be sportive as the fawn
That wild with glee across the lawn,
Or up the mountain springs;

And hers shall be the breathing balm,
And hers the silence and the calm

Of mute insensate things.

"The floating clouds their state shall lend

To her; for her the willow bend;

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Nor shall she fail to see

Even in the motions of the Storm

Grace that shall mould the Maiden's form

By silent sympathy.

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Shall rear her form to stately height,

Her virgin bosom swell;

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Her feet disperse the powdery snow, That rises up like smoke.

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How soon my Lucy's race was run!

She died, and left to me

This heath, this calm, and quiet scene; The memory of what has been,

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And never more will be.

A SLUMBER DID MY SPIRIT SEAL

A Slumber did my spirit seal;

I had no human fears:

She seemed a thing that could not feel
The touch of earthly years.

No motion has she now, no force;
She neither hears nor sees,
Rolled round in earth's diurnal course,
With rocks, and stones, and trees.
LUCY GRAY

OR, SOLITUDE

Oft I had heard of Lucy Gray: And, when I crossed the wild,

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And then an open field they crossed:
The marks were still the same;
They tracked them on, nor ever lost;
And to the bridge they came.

They followed from the snowy bank
Those footmarks, one by one,
Into the middle of the plank;
And further there were none!

-Yet some maintain that to this day
She is a living child;

That you may see sweet Lucy Gray
Upon the lonesome wild.

O'er rough and smooth she trips along,
And never looks behind;

And sings a solitary song

That whistles in the wind.

THE PRELUDE; OR, GROWTH OF A
POET'S MIND

FROM BOOK I. (HILDHOOD

Moved we as plunderers where the mother-bird
Had in high places built her lodge; though

mean

Our object and inglorious, yet the end
Was not ignoble. Oh! when I have hung 330
Above the raven's nest, by knots of grass
And half-inch fissures in the slippery rock
But ill sustained, and almost (so it seemed)
56 Suspended by the blast that blew amain,
Shouldering the naked crag, oh, at that time
While on the perilous ridge I hung alone,
With what strange utterance did the loud dry
wind

64

Fair seed-time had my soul, and I grew up
Fostered alike by beauty and by fear:
Much favoured in my birth-place, and no less
In that beloved Vale1 to which erelong
We were transplanted;-there were we let loose
For sports of wider range. Ere I had told
Ten birth-days, when among the mountain
slopes

Frost, and the breath of frosty wind, had
snapped

The last autumnal crocus, 'twas my joy
With store of springes o'er my shoulder hung 310
To range the open heights where woodcocks run
Along the smooth green turf. Through half the
night,

Scudding away from snare to snare, I plied
That anxious visitation;-moon and stars
Were shining o'er my head. I was alone,
And seemed to be a trouble to the peace
That dwelt among them. Sometimes it befell
In these night wanderings, that a strong desire
O'rpowered my better reason, and the bird
Which was the captive of another's toil 320
Became my prey; and when the deed was done
I heard among the solitary hills

Low breathings coming after me, and sounds
Of undistinguishable motion, steps
Almost as silent as the turf they trod.

Blow through my ear! the sky seemed not a sky
Of earth-and with what motion moved the

clouds!

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Dust as we are, the immortal spirit grows
Like harmony in music; there is a dark
Inscrutable workmanship that reconciles
Discordant elements, makes them cling together
In one society. How strange, that all
The terrors, pains, and early miseries,
Regrets, vexations, lassitudes interfused
Within my mind, should e'er have borne a part,
And that a needful part, in making up
The calm existence that is mine when I
Am worthy of myself! Praise to the end! 350
Thanks to the means which Nature deigned to
employ;

Whether her fearless visitings, or those
That came with soft alarm, like hurtless light
Opening the peaceful clouds; or she would use
Severer interventions, ministry

More palpable, as best might suit her aim.

359

One summer evening (led by her) I found
A little boat tied to a willow tree
Within a rocky cave, its usual home.
Straight I unloosed her chain, and stepping in
Pushed from the shore. It was an act of stealth
And troubled pleasure, nor without the voice
Of mountain-echoes did my boat move on;
Leaving behind her still, on either side,
Small circles glittering idly in the moon,
Until they melted all into one track
Of sparkling light. But now, like one who rows,
Proud of his skill, to reach a chosen point
With an unswerving line, I fixed my view
Upon the summit of a craggy ridge,
The horizon's utmost boundary; far above
Was nothing but the stars and the grey sky.
She was an elfin pinnace; lustily

Nor less, when spring had warmed the cul- I dipped my oars into the silent lake,
tured Vale,

And, as I rose upon the stroke, my boat

1 Esthwaite, Lancashire, where, at the village of Went heaving through the water like a swan;

Hawkshead, Wordsworth attended school.

370

When, from behind that craggy steep till then

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