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Much have I travelled in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-browed Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
'Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He stared at the Pacific-and all his men
Looked at each other with a wild surmise-
Silent, upon a peak in Darien.

ON THE GRASSHOPPER AND CRICKET†

The poetry of earth is never dead:
When all the birds are faint with the hot sun,

And hide in cooling trees, a voice will run From hedge to hedge about the new-mown mead;

That is the Grasshopper's-he takes the lead
In summer luxury, he has never done
With his delights; for when tired out with fun
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there
shrills

The Cricket's song, in warmth increasing ever,
And seems to one in drowsiness half lost,
The Grasshopper's among some grassy hills.

*This sonnet of discovery was written after Keats had spent a night with a friend reading in Chapman's translation (Eng. Lit., p. 97). Keats could not read Greek, but had to con. tent himself mainly with "western islands" of poetry and romance. It should be noted that it was not Cortez, but Balboa, who discovered the Pacific. Written in a friendly competition with Leigh Hunt. See Hunt's sonnet, p. 496.

ON SEEING THE ELGIN MARBLES‡ My spirit is too weak-mortality Weighs heavily on me like unwilling sleep, And each imagined pinnacle and steep Of godlike` hardship tells me I must die Like a sick Eagle looking at the sky. Yet 'tis a gentle luxury to weep That I have not the cloudy winds to keep, Fresh for the opening of the morning's eye. Such dim-conceived glories of the brain Bring round the heart an undescribable feud; So do these wonders a most dizzy pain, That mingles Grecian grandeur with the rude Wasting of old Time-with a billowy main— A sun-a shadow of a magnitude.

ON THE SEA

It keeps eternal whisperings around
Desolate shores, and with its mighty swell
Gluts twice ten thousand caverns, till the spell
Of Hecate1 leaves them their old shadowy
sound.

Often 'tis in such gentle temper found,
That scarcely will the very smallest shell
Be moved for days from where it sometime
fell,

When last the winds of heaven were unbound. Oh ye! who have your eye-balls vexed and tired,

Feast them upon the wideness of the Sea;
Oh ye! whose ears are dinned with uproar
rude,

Or fed too much with cloying melody-
Until ye start, as if the sea-nymphs quired!
Sit ye near some old cavern's mouth, and brood

WHEN I HAVE FEARS THAT I MAY
CEASE TO BE

When I have fears that I may cease to be
Before my pen has gleaned my teeming brain,
Before high-pilèd books, in charactery,
Hold like rich garners the full ripened grain;
When I behold, upon the night's starred face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love!-then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.

1 The moon.
These marbles are mainly sculptures from the
Parthenon which were transferred from
Athens to London by Lord Elgin in 1803.

BRIGHT STAR! WOULD I WERE STED- | And then the old man shook his head,
FAST AS THOU ART*

Bright star! would I were stedfast as thou
art-

Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
Like Nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors-
No-yet still stedfast, still unchangeable,
Pillowed upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever-or else swoon to death.

LATE GEORGIAN BALLADS AND

LYRICS†

ROBERT SOUTHEY (1774-1843)

THE BATTLE OF BLENHEIM‡

It was a summer evening;

Old Kaspar's work was done,
And he before his cottage door

Was sitting in the sun;
And by him sported on the green
His little grandchild Wilhelmine.

She saw her brother Peterkin

Roll something large and round, Which he beside the rivulet

In playing there had found.

He came to ask what he had found,
That was so large, and smooth, and round.

Old Kaspar took it from the boy,
Who stood expectant by;

And with a natural sigh,

""Tis some poor fellow's skull," said he, "Who fell in the great victory.

"I find them in the garden,

For there's many here about;
And often, when I go to plough,

The ploughshare turns them out;
For many thousand men,'' said he,
"Were slain in that great victory."

"Now tell us what 'twas all about,"

Young Peterkin, he cries;
And little Wilhelmine looks up
With wonder-waiting eyes;
"Now tell us all about the war,
And what they fought each other for."

"It was the English," Kaspar cried,
"Who put the French to rout;
But what they fought each other for,
I could not well make out;
But everybody said," quoth he,
"That 'twas a famous victory.

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For many thousand bodies here
Lay rotting in the sun;

But things like that, you know, must be
After a famous victory.

This sonnet was composed on the Dorsetshire
coast just as Keats was sailing for Italy the
autumn before his death. It was written in
a copy of Shakespeare's poems on a blank page
facing A Lover's Complaint.
Under this general title are given here some
minor poems of the early decades of the nine-
teenth century, though one or two are really
post-Georgian. Hunt's Abou ben Adhem, for
instance, is as late as 1844; but Hunt was
himself a contemporary of Shelley and Keats.
The poems have been selected partly for their "Nay, nay, my little girl," quoth he;
real value as shown by their continued popu-"It was a famous victory.
larity, and partly to illustrate the character
and range of the minor verse of the period.
At Blenheim, in Bavaria, in 1704, the British

"Great praise the Duke of Marlboro' won,
And our good Prince Eugene.”
"Why, 'twas a very wicked thing!"
Said little Wilhelmine.

and their German allies, under the Duke of
Marlborough and the Austrian Prince Eugene,
defeated the Frer and Bavarians with great

loss.

And everybody praised the Duke
Who this great fight did win."
But what good came of it at last?"

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HOHENLINDEN†

On Linden, when the sun was low,
All bloodless lay the untrodden snow.
And dark as winter was the flow
Of Iser, rolling rapidly:

But Linden saw another sight,
When the drum beat at dead of night.
Commanding fires of death to light
The darkness of her scenery.

By torch and trumpet fast arrayed,
Each horseman drew his battle blade.
And furious every charger neighed,
To join the dreadful revelry.

Then shook the hills with thunder riven,
Then rushed the steed to battle driven,
And louder than the bolts of heaven,
Far flashed the red artillery.

But redder yet that light shall glow
On Linden's hills of stained snow,
And bloodier yet the torrent flow
Of Iser, rolling rapidly.

'Tis morn, but scarce yon level sun
Can pierce the war-clouds, rolling dun,
Where furious Frank, and fiery Hun,
Shout in their sulphurous canopy.

The combat deepens. On, ye brave,
Who rush to glory, or the grave!
Wave, Munich! all thy banners wave,
And charge with all thy chivalry!
Few, few, shall part where many meet!
The snow shall be their winding-sheet.
And every turf beneath their feet
Shall be a soldier's sepulchre.

CHARLES WOLFE (1791-1823)

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THE BURIAL OF SIR JOHN MOORE‡ Not a drum was heard, not a funeral note, As his corse to the rampart we hurried; Not a soldier discharged his farewell shot O'er the grave where our hero we buried. At the Bavarian village of Hohenlinden, not far from Munich, the Austrian army (referred to in this poem as the "Hun") was defeated by the French (the "Frank") in December, 1800. Campbell did not witness the battle, as a pleasing tradition relates, but he was on the continent at the time and witnessed at least one skirmish. Scott greatly admired this ballad, though the author himself spoke somewhat contemptuously of its "drum and trumpet lines."

Sir John Moore, a British general, was killed at Corunna in January, 1809, just as the British troops, retreating from the French, were about to embark, though he lived long enough to hear that the French were beaten back. was buried at night in the citadel.

He

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We thought, as we hollowed his narrow bed
And smoothed down his lonely pillow,
That the foe and the stranger would tread
o'er his head,

And we far away on the billow!

Lightly they'll talk of the spirit that's gone,
And o'er his cold ashes upbraid him;
But little he'll reck, if they let him sleep on
In the grave where a Briton has laid him. 2

But half of our weary task was done

When the clock struck the note for retiring; And we heard the distant and random gun Of the enemy sullenly firing.

Slowly and sadly we laid him down,

From the field of his fame fresh and gory; We carved not a line, and we raised not a stone, But we left him alone with his glory.

THOMAS MOORE (1779-1852)

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THE HARP THAT ONCE THROUGH TARA'S HALLSS

The harp that once through Tara's halls
The soul of music shed,

Now hangs as mute on Tara's walls
As if that soul were fled.

So sleeps the pride of former days,

So glory's thrill is o'er,

And hearts that once beat high for praise

Now feel that pulse no more!

No more to chiefs and ladies bright

The harp of Tara swells;

The chord alone that breaks at night
Its tale of ruin tells.

Thus Freedom now so seldom wakes,
The only throb she gives

Is when some heart indignant breaks,
To show that still she lives.

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THE MINSTREL BOY

The Minstrel-boy to the war is gone,
In the ranks of death you'll find him;
His father's sword he has girded on,

And his wild harp slung behind him."Land of song!" said the warrior-bard, "Though all the world betrays thee, One sword at least thy rights shall guard, One faithful harp shall praise thee!''

The Minstrel fell!-but the foeman's chain
Could not bring his proud soul under;
The harp he loved ne'er spoke again,
For he tore its cords asunder;
And said, "No chains shall sully thee,
Thou soul of love and bravery!

Thy songs were made for the brave and free, They shall never sound in slavery!''

OFT, IN THE STILLY NIGHT
(Scotch Air)

Oft, in the stilly night,

Ere Slumber's chain has bound me, Fond Memory brings the light Of other days around me; The smiles, the tears,

Of boyhood's years,

The words of love then spoken;
The eyes that shone,

Now dimmed and gone,

The cheerful hearts now broken!

Thus, in the stilly night,

Ere Slumber's chain has bound me, Sad Memory brings the light

Of other days around me.

When I remember all

The friends, so linked together,

I've seen around me fall,

Like leaves in wintry weather;
I feel like one

Who treads alone

Some banquet-hall deserted,

Whose lights are fled,
Whose garlands dead,

And all but he departed!

Thus, in the stilly night,

Ere Slumber's chain has bound me,

Sad Memory brings the light
Of other days around me.

CHARLES LAMB (1775-1834 THE OLD FAMILIAR FACES

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16 I have had playmates, I have had companions, In my days of childhood, in my joyful schooldays

Tara Hill, some twenty miles from Dublin, is

said to have been the seat of the ancient Ali, all are gone, the old familiar faces.

kings of Ireland.

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