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boys and girls (thank Heaven!) while the cavalier in green, over the fireplace. There

World lasts; and they do! Yonder they dance and play upon the branches of my Tree, God bless them, merrily, and my heart dances and plays too!

And I do come home at Christmas. We all do, or we all should. We all come home, or ought to come home, for a short holiday-the longer, the better-from the great boardingschool, where we are for ever working at our arithmetical slates, to take, and give a rest. As to going a visiting, where can we not go, if we will; where have we not been, when we would; starting our fancy from our Christmas Tree!

Away into the winter prospect. There are many such upon the tree! On, by low-lying, misty grounds, through fens and fogs, up long hills, winding dark as caverns between thick plantations, almost shutting out the sparkling stars; so, out on broad heights, until we stop at last, with sudden silence, at an avenue. The gate-bell has a deep, half-awful sound in the frosty air; the gate swings open on its hinges; and, as we drive up to a great house, the glancing lights grow larger in the windows, and the opposing rows of trees seem to fall solemnly back on either side, to give us place. At intervals, all day, a frightened hare has shot across this whitened turf; or the distant clatter of a herd of deer trampling the hard frost, has, for the minute, crushed the silence too. Their watchful eyes beneath the fern may be shining now, if we could see them, like the icy dewdrops on the leaves; but they are still, and all is still. And so, the lights growing larger, and the trees falling back before us, and closing up again behind us, as if to forbid retreat, we come to the house.

are great black beams in the ceiling, and there is a great black bedstead, supported at the foot by two great black figures, who seem to have come off a couple of tombs in the old baronial church in the park, for our particular accommodation. But, we are not a superstitious nobleman, and we don't mind. Well! we dismiss our servant, lock the door, and sit before the fire in our dressing-gown, musing about a great many things. At length we go to bed. Well! we can't sleep. We toss and tumble, and can't sleep. The embers on the hearth burn fitfully and make the room look ghostly. We can't help peeping out over the counterpane, at the two black figures and the cavalier that wicked-looking cavalier in green. In the flickering light they seem to advance and retire: which, though we are not by any means a superstitious nobleman, is not agreeable. Well! we get nervous-more and more nervous. We say "This is very foolish, but we can't stand this; we'll pretend to ill, and knock up somebody." Well! we are just going to do it, when the locked door opens, and there comes in a young woman, deadly pale, and with long fair hair, who glides to the fire, and sits down in the chair we have left there, wringing her hands. Then, we notice that her clothes are wet. Our tongue cleaves to the roof of our mouth, and we can't speak; but, we observe her accurately. Her clothes are wet; her long hair is dabbled with moist mud; she is dressed in the fashion of two hundred years ago; and she has at her girdle a bunch of rusty keys. Well! there she sits, and we can't even faint, we are in such a state about it. Presently she gets up, and tries all the locks in the room with the rusty keys, which There is probably a smell of roasted chest- won't fit one of them; then, she fixes her eyes nuts and other good comfortable things all the on the portrait of the cavalier in green, and time, for we are telling Winter Stories-Ghost says, in a low, terrible voice, "The stags know Stories, or more shame for us-round the it!" After that, she wrings her hands again, Christmas fire; and we have never stirred, passes the bedside, and goes out at the door. except to draw a little nearer to it. But, no We hurry on our dressing-gown, seize our pismatter for that. We came to the house, and it tols (we always travel with pistols), and are is an old house, full of great chimneys where following, when we find the door locked. We wood is burnt on ancient dogs upon the hearth, turn the key, look out into the dark gallery; and grim portraits (some of them with grim no one there. We wander away, and try to find legends, too) lower distrustfully from the our servant. Can't be done. We pace the oaken panels of the walls. We are a middle- gallery till daybreak; then return to our deaged nobleman, and we make a generous sup- serted room, fall asleep, and are awakened by per with our host and hostess and their guests our servant (nothing ever haunts him) and the -it being Christmas time, and the old house shining sun. Well! we make a wretched breakfull of company-and then we go to bed. Our fast, and all the company say we look queer. room is a very old room: It is hung with After breakfast, we go over the house with our tapestry. We don't like the portrait of a host, and then we take him to the portrait of

the cavalier in green, and then it all comes out. He was false to a young housekeeper once attached to that family, and famous for her beauty, who drowned herself in a pond, and whose body was discovered, after a long time, because the stags refused to drink of the water. Since which, it has been whispered that she traverses the house at midnight (but goes especially to that room where the cavalier in green was wont to sleep), trying the old locks with the rusty keys. Well! we tell our host of what we have seen, and a shade comes over his features, and he begs it may be hushed up; and so it is. But, it's all true; and we said so, before we died (we are dead now) to many responsible people.

plied, "Why, all night long, the carriages were driving round and round the terrace, underneath my window!" Then, the owner of the house turned pale, and so did his Lady, and Charles Macdoodle of Macdoodle signed to Lady Mary to say no more, and every one was silent. After breakfast, Charles Macdoodle told Lady Mary that it was a tradition in the family that those rumbling carriages on the terrace betokened death. And so it proved, for, two months afterwards, the Lady of the mansion died. And Lady Mary, who was a Maid of Honour at Court, often told this story to the old Queen Charlotte; by this token that the old King always said, "Eh, eh? What, what? Ghosts, ghosts? No such thing, no such

And never left off saying so, until he

Or, a friend of somebody's whom most of us know, when he was a young man at college, had a particular friend, with whom he made the compact that, if it were possible for the Spirit to return to this earth after its separation from the body, he of the twain who first died, should reappear to the other. In course of time, this compact was forgotten by our friend; the two young men having progressed in life, and taken diverging paths that were wide asunder. But, one night, many years afterwards, our friend being in the North of England, and staying for the night in an inn, on the Yorkshire Moors, happened to look out of bed; and there, in the moonlight, leaning on a bureau near the window, stedfastly regarding him, saw his old college friend! The appearance being solemnly addressed, replied, in a kind of whisper, but very audibly, "Do not come near me. I am dead. I am here to redeem my promise. I come from another world, but may not disclose its secrets!" Then, the whole form becoming paler, melted, as it were, into the moonlight, and faded away.

There is no end to the old houses, with re-thing! sounding galleries, and dismal state-bedcham- went to bed. bers, and haunted wings shut up for many years, through which we may ramble, with an agreeable creeping up our back, and encounter any number of ghosts, but (it is worthy of remark perhaps) reducible to a very few general types and classes; for, ghosts have little originality, and "walk" in a beaten track. Thus, it comes to pass, that a certain room in a certain old hall, where a certain bad lord, baronet, knight, or gentleman, shot himself, has certain planks in the floor from which the blood will not be taken out. You may scrape and scrape, as the present owner has done, or plane and plane, as his father did, or scrub and scrub, as his grandfather did, or burn and burn with strong acids, as his great-grandfather did, but, there the blood will still be-no redder and no paler-no more and no less-always just the same. Thus, in such another house there is a haunted door; that never will keep open; or another door that never will keep shut; or a haunted sound of a spinning-wheel, or a hammer, or a footstep, or a cry, or a sigh, or a horse's tramp, or the rattling of a chain. Or else, there is a turret-clock, which, at the midnight hour, strikes thirteen when the head of the family is going to die; or a shadowy, immovable black carriage which at such a time is always seen by somebody, waiting near the great gates in the stable-yard. Or thus, it came to pass how Lady Mary went to pay a visit at a large wild house in the Scottish High-ning, terrified, into the hall to her father, saylands, and, being fatigued with her long journey, retired to bed early, and innocently said, next morning, at the breakfast-table, "How odd, to have so late a party last night, in this remote place, and not to tell me of it, before I went to bed!" Then, every one asked Lady Mary what she meant? Then, Lady Mary re

Or, there was the daughter of the first occupier of the picturesque Elizabethan house, so famous in our neighbourhood. You have heard about her? No! Why, She went out one summer evening at twilight, when she was a beautiful girl, just seventeen years of age, to gather flowers in the garden; and presently came run

ing, "Oh, dear father, I have met myself!" He took her in his arms, and told her it was fancy, but she said, "Oh no! I met myself in the broad walk, and I was pale and gathering withered flowers, and I turned my head, and held them up!" And, that night, she died; and a picture of her story was begun, though

never finished, and they say it is somewhere in | maid when she came in, "Who is the pretty the house to this day, with its face to the wall. forlorn-looking child who has been peeping out Or, the uncle of my brother's wife was rid of that closet all night?'' The maid replied ing home on horseback, one mellow evening at sunset, when, in a green lane close to his own house, he saw a man standing before him, in the very centre of the narrow way. "Why does that man in the cloak stand there!" he thought. "Does he want me to ride over him?" But the figure never moved. He felt a strange sensation at seeing it so still, but slackened his trot and rode forward. When he was so close to it, as almost to touch it with his stirrup, his horse shied, and the figure glided up the bank, in a curious, unearthly manner-backward, and without seeming to use its feet-and was gone. The uncle of my brother's wife. exclaiming, "Good Heaven! It's my cousin Harry, from Bombay!" put spurs to his horse, which was suddenly in a profuse sweat, and, wondering at such strange behaviour, dashed round to the front of his house. There, he saw the same figure, just passing in at the long French window of the drawing-room, opening on the ground. He threw his bridle to a servant, and hastened in after it. His sister was sitting there, alone. "Alice, where's my cousin Harry?" "Your cousin Harry, John?" "Yes. From Bombay. I met him in the lane just now, and saw him enter here, this instant." Not a creature had been seen by any one; and in that hour and minute, as it afterwards appeared, this cousin died in India.

by giving a loud scream, and instantly decamping. She was surprised; but she was a woman of remarkable strength of mind, and she dressed herself and went downstairs, and closeted herself with her brother. "Now, Walter," she said, "I have been disturbed all night by a pretty, forlorn-looking boy, who has been constantly peeping out of that closet in my room, which I can't open. This is some trick." "I am afraid not, Charlotte," said he, "for it is the legend of the house. It is the Orphan Boy. What did he do?" "He opened the door softly," said she, "and peeped out. Sometimes, he came a step or two into the room. Then, I called to him, to encourage him, and he shrunk, and shuddered, and crept in again, and shut the door." "The closet has no communication, Charlotte," said her brother, "with any other part of the house, and it's nailed up." This was undeniably true, and it took two carpenters a whole forenoon to get it open, for examination. Then, she was satisfied that she had seen the Orphan Boy. But, the wild and terrible part of the story is, that he was also seen by three of her brother's sons, in succession, who all died young. On the occasion of each child being taken ill, he came home in a heat, twelve hours before, and said, Oh, Mamma, he had been playing under a particular oak-tree, in a certain meadow, with a strange boy-a pretty, forlornlooking boy, who was very timid, and made signs! From fatal experience, the parents came to know that this was the Orphan Boy, and that the course of that child whom he chose for his little playmate was surely run.

Or, it was a certain sensible old maiden lady, who died at ninety-nine, and retained her faculties to the last, who really did see the Orphan Boy; a story which has often been incorrectly told, but, of which the real truth is this-because it is, in fact, a story belonging to our Legion is the name of the German castles, family—and she was a connection of our fam- where we sit up alone to wait for the Spectreily. When she was about forty years of age, where we are shown into a room, made comand still an uncommonly fine woman (her lover paratively cheerful for our reception-where we died young, which was the reason why she never glance round at the shadows, thrown on the married, though she had many offers), she went blank walls by the crackling fire-where we to stay at a place in Kent, which her brother, feel very lonely when the village innkeeper and an Indian-Merchant, had newly bought. There his pretty daughter have retired, after laying was a story that this place had once been held down a fresh store of wood upon the hearth, in trust, by the guardian of a young boy; who and setting forth on the small table such supwas himself the next heir, and who killed the per-cheer as a cold roast capon, bread, grapes, young boy by harsh and cruel treatment. She and a flask of old Rhine wine-where the reverknew nothing of that. It has been said that berating doors close on their retreat, one after there was a Cage in her bedroom in which the another, like so many peals of sullen thunderguardian used to put the boy. There was no and where, about the small hours of the night, such thing. There was only a closet. She went we come into the knowledge of divers superto bed, made no alarm whatever in the night, natural mysteries. Legion is the name of the and in the morning said composedly to her haunted German students, in whose society we

draw yet nearer to the fire, while the schoolboy in the corner opens his eyes wide and round, and flies off the footstool he has chosen for his seat, when the door accidentally blows open. Vast is the crop of such fruit, shining on our Christmas Tree; in blossom, almost at the very top; ripening all down the boughs!

Among the later toys and fancies hanging there as idle often and less pure-be the image once associated with the sweet old Waits, the softened music in the night, ever unalterable! Encircled by the social thoughts of Christmas time, still let the benignant figure of my childhood stand unchanged! In every cheerful image and suggestion that the season brings, may the bright star that rested above the poor roof be the star of all the Christian World! A moment's pause, O vanishing tree, of which the lower boughs are dark to me as yet, and let me look once more! I know there are blank spaces on thy branches, where eyes that I have loved have shone and smiled; from which they are departed. But, far above, I see the raiser of the dead girl, and the Widow's Son; and God is good! If Age be hiding for me in the unseen portion of thy downward growth, O may I, with a grey head, turn a child's heart to that figure yet, and a child's

trustfulness and confidence!

Now, the tree is decorated with bright merriment, and song, and dance, and cheerfulness. And they are welcome. Innocent and welcome be they ever held, beneath the branches of the Christmas Tree, which cast no gloomy shadow! But, as it sinks into the ground, I hear a whisper going through the leaves. "This, in commemoration of the law of love and kindness, mercy, and compassion. This, in remembrance

of Me!"'

WILLIAM MAKEPEACE THACK

ERAY (1811-1863)

FROM THE ENGLISH HUMOURISTS OF THE EIGHTEENTH CENTURY*

GOLDSMITH

"Jeté sur cette boule,

Laid, chétif et souffrant :

Etouffé dans la foule,

Faute d'être assez grand :

Une plainte touchante

De ma bouche sortit.

Le bon Dieu me dit: Chante,
Chante, pauvre petit!

These papers. six in number, were prepared by Thackeray as lectures and were delivered in England in 1851, and in America in the winter of 1852-53. The first lecture dealt with Swift, the last with Sterne and Goldsmith.

Chanter, ou je m'abuse,

Est ma tâche ici-bas. Tous ceux qu'ainsi j'amuse, Ne m'aimeront-ils pas?"†

In those charming lines of Béranger, one may fancy described the career, the sufferings, the genius, the gentle nature of Goldsmith, and the esteem in which we hold him. Who, of the millions whom he has amused, doesn't love him? To be the most beloved of English writers, what a title that is for a man! A wild youth, wayward, but full of tenderness and affection, quits the country village, where his boyhood has been passed in happy musing, in idle shelter, in fond longing to see the great world out of doors, and achieve name and fortune: and after years of dire struggle, and neglect and poverty, his heart turning back as fondly to his native place as it had longed eagerly for change when sheltered there, he writes a book and a poem, full of the recollections and feel ings of home: he paints the friends and scenes of his youth, and peoples Auburn and Wakefield‡ with remembrances of Lissoy. Wander he must, but he carries away a home-relic with him, and dies with it on his breast. His nature is truant; in repose it longs for change: as on the journey it looks back for friends and quiet. He passes to-day in building an air-castle for to-morrow, or in writing yesterday's elegy; and he would fly away this hour, but that a cage and necessity keep him. What is the charm of his verse, of his style, and humour? His sweet regrets, his delicate compassion, his soft smile, his tremulous sympathy, the weakness which he owns? Your love for him is half pity. You come hot and tired from the day's battle, and this sweet minstrel sings to you. Who could harm the kind vagrant harper? Whom did he ever hurt? He carries no weapon, save the harp on which he plays to you; and with which he delights great and humble, young and old, Béranger (1780-1851) was a kind of French Burns, a writer of songs beloved by the people. The lines may be translated somewhat freely thus:

Flung into life,

Dwarfed, ugly, in pain; Nigh crushed in the strife Where I struggle in vain ;

What wonder, should spring
To my lips my dole?
God said to me, "Sing!
Sing, poor little soul!"

So my task here below

Is a-singing to rove;

If pleasure I sow.

Shall I not reap love?

The scenes respectively of the poem and the romance on which Goldsmith's literary_reputation chiefly rests. Compare The Deserted Village and the notes thereon, p. 373.

the captains in the tents, or the soldiers round dunce: Paddy Byrne, the hedge-schoolmaster,4 the fire, or the women and children in the vil- took him in hand: and from Paddy Byrne he lages, at whose porches he stops and sings his was transmitted to a clergyman at Elphin. simple songs of love and beauty. With that When a child was sent to school in those days, sweet story of the "Vicar of Wakefield' he the classic phrase was that he was placed has found entry into every castle and every under Mr. So-and-so's ferule. Poor little anhamlet in Europe. Not one of us, however cestors! It is hard to think how ruthlessly busy or hard, but once or twice in our lives you were birched; and how much of needless has passed an evening with him, and undergone whipping and tears our small forefathers had the charm of his delightful music. to undergo! A relative-kind uncle Contarine

Goldsmith's father was no doubt the good|—took the main charge of little Noll; who went Doctor Primrose, whom we all of us know. Swift was yet alive, when the little Oliver was born at Pallas, or Pallasmore, in the county of Longford, in Ireland. In 1730, two years after the child's birth, Charles Goldsmith removed his family to Lissoy, in the county Westmeath, that sweet "Auburn' which every person who hears me has seen in fancy. Here the kind parson brought up his eight children; and loving all the world, as his son says, fancied all the world loved him. He had a crowd of poor dependants besides those hungry children. He kept an open table; round which sat flatterers and poor friends, who laughed at the honest rector's many jokes, and ate the produce of his seventy acres of farm. Those who have seen an Irish house in the present day can fancy that one of Lissoy. The old beggar still has his allotted corner by the kitchen turf;2 the maimed old soldier still gets his potatoes and buttermilk; the poor cottiers still asks his honour's charity, and prays God bless his reverence for the sixpence; the ragged pensioner still takes his place by right and sufferance. There's still a crowd in the kitchen, and a crowd round the parlour table, profusion, confusion, kindness, poverty. If an Irishman comes to London to make his fortune, he has a half-dozen of Irish dependants who take a percentage of his earnings. The good Charles Goldsmith left but little provision for his hungry race when death summoned him; and one of his daughters being engaged to a Squire of rather superior dignity, Charles Goldsmith impoverished the rest of his family to provide the girl with a dowry.

through his schooldays righteously doing as little work as he could: robbing orchards, playing at ball, and making his pocket-money fly about whenever fortune sent it to him. Everybody knows the story of that famous "Mistake of a Night," when the young schoolboy, provided with a guinea and a nag, rode up to the "best house" in Ardagh, called for the landlord's company over a bottle of wine at supper, and for a hot cake for breakfast in the morning; and found, when he asked for the bill, that the best house was Squire Featherstone's, and not the inn for which he mistook it.5 Who does not know every story about Goldsmith? That is a delightful and fantastic picture of the child dancing and capering about in the kitchen at home, when the old fiddler gibed at him for his ugliness, and called him Æsop; and little Noll made his repartee of "Heralds proclaim aloud this saying-See Esop dancing and his monkey playing." One can fancy a queer pitiful look of humour and appeal upon that little scarred face-the funny little dancing figure, the funny little brogue. In his life, and his writings, which are the honest expression of it, he is constantly bewailing that homely face and person; anon he surveys them in the glass ruefully; and presently assumes the most comical dignity. He likes to deck out his little person in splendour and fine colours. He presented himself to be examined for ordination in a pair of scarlet breeches, and said honestly that he did not like to go into the Church, because he was fond of coloured clothes. When he tried to practise as a doctor, he got by hook or by crook a black velvet suit, and looked as big and grand as he could, and kept his hat over a patch on the old coat: in better days he bloomed out in plum-colour, in blue silk, and in new velvet. For some of those splendours the

The smallpox which scourged all Europe at that time, and ravaged the roses off the cheeks of half the world, fell foul of poor little Oliver's face, when the child was eight years old, and left him scarred and disfigured for his life. An old woman in his father's village taught him his letters, and pronounced him a 3 A peasant renting and cultivating a small 6 This traditionary Greek writer of fables is repre holding. sented to have been deformed.

1 The Vicar' (of Wakefield).

2 peat

4 Open air schools, held by hedge-sides, were once

common in Ireland.

5 The joke was actually played on Goldsmith, and he worked it into the plot of his play, She Stoops to Conquer.

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