But the jingling of the guinea helps the hurt Till the war-drum throbb'd no longer, and the that Honour feels, battle-flags were furl'd And the nations do but murmur, snarling at In the Parliament of man, the Federation of each other's heels. the world. That which they have done but earnest of the What is that to him that reaps not harvest of Weakness to be wroth with weakness! woman's Catch the wild goat by the hair, and hurl their Pilots of the purple twilight, dropping down with costly bales;* And the individual withers, and the world is more and more.6 4 Cp. line 185. * Tennyson had a rare faculty for putting the hopes and achievements of science into poetic language. It is interesting, however, to observe at what a cautious distance he placed the realization of this seemingly extravagant prophecy. 5 wrapped 6 Looms forever larger by contrast. Cp. In Me moriam, LV. + He of the "jaundiced eye" scoffs at science and is suspicious of democratic and socialistic tendencies. The weak point in Tennyson's picture is the connection of this large pessimism with the purely personal disappointment of his hero. It may not be altogether unfaithful, but it is undramatic. 9 The British have had Mother-Age, for mine I knew not, help me Rift the hills, and roll the waters, flash the O, well for the sailor lad, 7 beings Implying that the in- many conflicts with 10 See Par. Lost, iv, 242. as when life begun; 11 Joshua, x 13. 12 Tennyson drew this figure from the railway, then new, under the false impression that the car-wheels ran in grooves. * These lines were written in memory of Arthur Hallam, and might well have been included among the poems of In Memoriam had they† not been cast in a different metre. THE SPLENDOUR FALLST The splendour falls on castle walls And snowy summits old in story; O, hark, O, hear! how thin and clear, The horns of Elfland faintly blowing! O love, they die in yon rich sky, They faint on hill or field or river; This song was inspired by the echoes at the Lakes of Killarney. Our echoes roll from soul to soul, TEARS, IDLE TEARS Tears, idle tears, I know not what they mean, Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one Ah, sad and strange as in dark summer square; So sad, so strange, the days that are no more. Dear as remember'd kisses after death, FROM IN MEMORIAM* I I held it truth, with him who sings But who shall so forecast the years Let Love clasp Grief lest both be drown'd, 1 Goethe, says Tennyson. Ah, sweeter to be drunk with loss, Than that the victor Hours should scorn XXVII I envy not in any moods The captive void of noble rage, I envy not the beast that takes Nor, what may count itself as blest, I hold it true, whate'er befall; LIV O, yet we trust that somehow good That nothing walks with aimless feet; That not a worm is cloven in vain; Behold, we know not anything; I can but trust that good shall fall * Tennyson's friend, Arthur Henry Hallam, died at And every winter change to spring. So runs my dream; but what am I? personal bereavement and the unrest produced 3 Used poetically for "ultimate." Cp. Locksley by the changes that were then taking place in Hall, 1. 12. the realm of religious and scientific thought.4 ('ontent due to mere want of higher faculties. , An infant crying for the light, And with no language but a cry. LV The wish, that of the living whole Are God and Nature then at strife, 'That I, considering everywhere I falter where I firmly trod, I stretch lame hands of faith, and grope, LVI "So careful of the type?" but no, "Thou makest thine appeal to me: Man, her last work, who seem'd so fair, Such splendid purpose in his eyes, Who roll'd the psalm to wintry skies, Who built him fanes of fruitless prayer, Who trusted God was love indeed Tho' Nature, red in tooth and claw With ravine, shriek'd against his creed Who loved, who suffer'd countless ills, No more? A monster then, a dream, Which shows fossil remains of extinct forms. That wakens at this hour of rest 2 In the grave. 3 In these poens. 4 Only half-conscious. * This is the third Christmas described in the poem. Tennyson had removed to a new home. |