All that Hollywood Allows: Re-reading Gender in 1950s MelodramaUniv of North Carolina Press, 1991 - Počet stran: 326 All That Hollywood Allows explores the representation of gender in popular Hollywood melodramas of the 1950s, the last decade in which film enjoyed a pivotal cultural position. Both a work of feminist film criticism and theory and an analysis of po |
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Cultural Studies An Alternative for Feminist Film Studies | 21 |
Feminism Marxism and Cultural Studies | 34 |
Theorizing Ideology | 41 |
Ethnographic Audience Research and Epochal Analysis | 54 |
Rereading Sociological Criticism Roles Stereotypes and Popular Film Melodramas of the Early 1950s | 63 |
Struggling over the Meaning of Woman | 73 |
Working Women in Film Melodramas of the Early 1950s | 85 |
Rereading Narrative Structure and Gender | 103 |
Stories of Mothers and Daughters | 142 |
Seeing and Being Seen | 154 |
Race Class and Gender Film Melodramas of the Late 1950s | 204 |
Coming to Manhood in MaleOriented Melodramas | 211 |
Dynastic Melodramas | 221 |
Imitating Life | 232 |
Reflections | 253 |
Notes | 259 |
Evolution of a SubGenre | 108 |
The Social Problem Films of the 1950s | 111 |
Rereading Psychoanalysis for Feminist Film Studies The Family Romance and the Gaze in FemaleOriented | 128 |
Feminism and Psychoanalysis | 132 |
Bibliography | 283 |
Filmography | 297 |
Index | 309 |
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Strana 1 - ... contrapuntal theme, woven into the cycle of life and recurring in varying forms in people's judgments, fantasies, and thoughts. The occasion for this observation was the selection of a sample of women for a study of the relation between judgment and action in a situation of moral conflict and choice. Against the background of the psychological descriptions of identity and moral development which I had read and taught for a number of years, the women's voices sounded distinct. It was then that...